No. 35 (2017)

Published: 2017-07-08

Language Studies. Translation Studies

UKRAINIAN AVIATION TERMINOLOGY: PRO - B LEMS OF FORMATION AND FUNCTIONING

Володимир ВАРЕНКО, Людмила ДОБРОВОЛЬСЬКА

5-9
MANIFESTATION OF THE AUTHOR’S INDIVIDUAL PICTURE OF THE WORLD IN THE WORKS BY SCOTT MOMADAY, AN AMERICAN INDIAN WRITER

Ольга ІВАНУСА

9-14
FUNCTIONALLY ORIENTED APPROACH TO THE STUDY OF WORD FORMATION MODEL OF GERMAN LANGUAGE

Віктор КУЛЬЧИЦЬКИЙ

14-21
TRANSFORMATION OF FOLKLORE STEREOTYPES OF UKRAINIANS IN UKRAINIAN CLASSIC LITERATURE

Наталія ЛЯШУК

21-26
SEMANTIC REORIENTATION OF LEXICS AS THE MAIN METHOD OF CREATING ENGLISH NEOLOGISMS

Ірина НОСКО

26-31
ALGORITHM OF SYNTACTIC IDIOMS RECOGNITION IN THE CORPUS OF TEXTS (FOR FOUR WORDS IN THE SEQUENCE)

Ганна СИТАР

31-39
WORK WITH THE DICTIONARY ARTICLE AS AN INITIAL STAGE OF FORMATION OF SKILLS OF ANNOTATION AND ABSTRACTING OF TECHNICAL TEXTS

Світлана ХАРИЦЬКА

39-44

Literature Studies

THE FACTOR OF NATIONAL STEREOTYPE IN CREATING DETECTIVE CHARACTERS

Вікторія АВРАМОВА, Ірина РИБАЛКА

44-49
THE MYTHEME OF SALMON AS SYMBOL OF NATIONAL SINGULARITY IN THE SCOPE OF SHERMAN ALEXIE’S STORY «THE TOUGHEST INDIAN IN THE WORLD»

Віра БАЗОВА

49-54
HISTORICAL GENRE AS LITERARY-THEORETICAL PROBLEM

Людмила БІЛЯКОВИЧ

54-61
PECULIARITIES OF TEACHING LITERATURE TO STUDENTS OF SPECIALTY «PUBLISHING AND EDITING»

Світлана ДЯЧУК

61-66
LOUISE ERDRICH’S FICTION WITHIN THE CONTEXT OF AMERICAN MAINSTREAM AND INDIAN LITERATURES: TRANSCULTURAL PER-SPECTIVES

Світлана КОТ

66-73
EXPRESSIONIST NOVEL IN UKRAINIAN LI-TERATURE: GENRE IDENTIFICATION PROBLEM (BASED ON A NOVEL BY VOLODYMYR VYNNY-CHENKO «TAKE THE FLOOR, STALIN!»)

Ірина КУНИЦЬКА

73-79
OLEKSII KOLOMIIETS’ СREATIVE WORK IN THE LITERARY AND ARTISTIC PROCESS (60-ies of XX century)

Світлана ЛИТВИНСЬКА

79-85
DIALECTICS OF THE FICTIONAL, PERSONIFIED AND REAL, PUBLIC-RELATED IN THOMAS PYNCHON’S «THE GRAVITY’S RAINBOW» AND WILLIAM GASS’S «THE TUNNEL»

Сергій СУШКО

85-92
THE SOCIALISTIC REALISM CANON AND THE MAIN PROBLEMS OF ITS REINTERPRETATION: MULTIVECTORNESS OF APPROACHES

Уляна ФЕДОРІВ

92-100
(RE)VISIONS OF AFRICAN AMERICAN LITERATURE THROUGH THE POSTHISTORICIST PARADIGM

Марія ШИМЧИШИН

100-105
AUTHOR’S INTERPRETATION OF THE MODERNISM’S HERITAGE IN O. VARLAMOV’S HISTORICAL MYTH-NOVEL «THE IMAGINARY WOLF»

Олександра ШТЕПЕНКО

105-110

No. 35 (2017)

Language Studies. Translation Studies

UKRAINIAN AVIATION TERMINOLOGY: PRO - B LEMS OF FORMATION AND FUNCTIONING

MANIFESTATION OF THE AUTHOR’S INDIVIDUAL PICTURE OF THE WORLD IN THE WORKS BY SCOTT MOMADAY, AN AMERICAN INDIAN WRITER

FUNCTIONALLY ORIENTED APPROACH TO THE STUDY OF WORD FORMATION MODEL OF GERMAN LANGUAGE

TRANSFORMATION OF FOLKLORE STEREOTYPES OF UKRAINIANS IN UKRAINIAN CLASSIC LITERATURE

SEMANTIC REORIENTATION OF LEXICS AS THE MAIN METHOD OF CREATING ENGLISH NEOLOGISMS

ALGORITHM OF SYNTACTIC IDIOMS RECOGNITION IN THE CORPUS OF TEXTS (FOR FOUR WORDS IN THE SEQUENCE)

WORK WITH THE DICTIONARY ARTICLE AS AN INITIAL STAGE OF FORMATION OF SKILLS OF ANNOTATION AND ABSTRACTING OF TECHNICAL TEXTS

Literature Studies

THE FACTOR OF NATIONAL STEREOTYPE IN CREATING DETECTIVE CHARACTERS

THE MYTHEME OF SALMON AS SYMBOL OF NATIONAL SINGULARITY IN THE SCOPE OF SHERMAN ALEXIE’S STORY «THE TOUGHEST INDIAN IN THE WORLD»

HISTORICAL GENRE AS LITERARY-THEORETICAL PROBLEM

PECULIARITIES OF TEACHING LITERATURE TO STUDENTS OF SPECIALTY «PUBLISHING AND EDITING»

LOUISE ERDRICH’S FICTION WITHIN THE CONTEXT OF AMERICAN MAINSTREAM AND INDIAN LITERATURES: TRANSCULTURAL PER-SPECTIVES

EXPRESSIONIST NOVEL IN UKRAINIAN LI-TERATURE: GENRE IDENTIFICATION PROBLEM (BASED ON A NOVEL BY VOLODYMYR VYNNY-CHENKO «TAKE THE FLOOR, STALIN!»)

OLEKSII KOLOMIIETS’ СREATIVE WORK IN THE LITERARY AND ARTISTIC PROCESS (60-ies of XX century)

DIALECTICS OF THE FICTIONAL, PERSONIFIED AND REAL, PUBLIC-RELATED IN THOMAS PYNCHON’S «THE GRAVITY’S RAINBOW» AND WILLIAM GASS’S «THE TUNNEL»

THE SOCIALISTIC REALISM CANON AND THE MAIN PROBLEMS OF ITS REINTERPRETATION: MULTIVECTORNESS OF APPROACHES

(RE)VISIONS OF AFRICAN AMERICAN LITERATURE THROUGH THE POSTHISTORICIST PARADIGM

AUTHOR’S INTERPRETATION OF THE MODERNISM’S HERITAGE IN O. VARLAMOV’S HISTORICAL MYTH-NOVEL «THE IMAGINARY WOLF»

Developed By

Language

Information