Phototypology as a method of displaying the formation of the urban environ-ment in a modern photobook
DOI:
https://doi.org/10.18372/2415-8151.25.16799Keywords:
Ukrainian art, modern photo book, post-Soviet urban environment, photographic typology, design, photo project, Soviet heritage, minimalismAbstract
Purpose. To figure out the directions of development and origins of the modern photonbook on the examples dedicated to the effect of the Soviet culture on the formation of the post-Soviet urban environment.
Methodology. In the process of research, the following methods were used: art analysis, analysis of theoretical and historical preconditions for the development of the typology of a modern photobook that displays the urban environment; synthesis, generalization and systematization of the received information; methods of induction, deduction and comparative analysis.
Results. It is shown that photobooks, dedicated to the influence of Soviet heritage on the formation of urban environment and landscape, continue the traditions established by the Dusseldorf School of Photography with some differences affected by the rise of publishing and design technologies. It is determined, that the characteristic feature of a modern photobook is a wider freedom in the choice of the target objects, angles of view, shots. But the concept of documenting the same or similar objects remains. Minimalism in the design of the indoor unit and cover, concise use of several options for repeating modular grids - the trends that unite the latest published photobooks.
Scientific novelty. Typological features and principles of the design of one of the actual directions of the modern photobooks are revealed, which tend to continue the traditions of photographic typology as a form of presenting a photo project. Distinctive features in the formation of the design of such photobooks, associated with the development of modern digital technologies of photography and layout, are defined.
Practical significance. A retrospective art analysis of photobooks, dedicated to the reflection of the urban environment, was conducted. The research is an important link in the further study of the history of the development of the photobook, as the implementation of the creative project of the photographer.
References
Drucker, J. (2004). The Century of Artists ’Books. New York City: Granary Books
Di Bello, P., Wilson, C., Shamoon, Z. The Photobook: From Talbot to Ruscha and Beyond (2012). Routledge; 1st edition
Gronert, S. (2009). The Düsseldorf School of Photography. New York: Aperture
Hatch, K. (2005). Something Else: «Ed Ruscha’s Photographic Books». The MIT Press. 111, 107-126
Hoffman, K. (2004) Stieglitz: A Beginning Light. Yale University Press Studio, 213–222.
Kukulski, M. (2014, December 15) A Brief History of Photography: Part 12 – Movements: Pictorialism versus Straight Photography https://notquiteinfocus.com/2014/12/15/a-brief-history-of-photography-part-12-movements-pictorialism-versus-straight-photography/
Кулюпина Г.А., Гринева А.А. Место фотокниги на книжном рынке. Донецкие чтения 2018: образование, наука, инновации, культура и вызовы современности, 2018. с.262-265
Mickevicius, E. (2020, October 14). «New Topographics» in Smarthistory. https://smarthistory.org/new-topographics/
Михайлова Р., Сафронова А. Актуальні аспекти дослідження фотокниги як арт-об’єкта. Актуальні проблеми сучасного дизайну : матеріали II Міжнародної науково-практичної конференції (23 квітня 2020) Київ: КНУТД, 2020. Т. 1, С. 85-88
Михайлова Р., Сафронова А. Про сучасний стан дослідження фотокниги у зарубіжному мистецтвознавстві. Актуальні проблеми сучасного дизайну : матеріали III Міжнародної науково-практичної конференції (23 квітня 2021). Київ: КНУТД, 2021. Т. 1, С.59-63
Parr, M., Badger, G. (2014). The Photobook: A History Volume III. Phaidon Press; First Edition.
Ritchin, F. The following text on Magnum’s history is by Fred Ritchin, taken from the book Magnum Photos, published by Nathan in the Collection Photo Poche, 1997. https://www.magnumphotos.com/about-magnum/histor
Sadakichi, H. (1904). A Plea for Straight Photography. American Amateur Photographer. 16. 101–109.
Saltz, J. (2020). Architecture and Cities. Three Photographic Gazes: Eugène Atget, Berenice Abbott, Amanda Bouchenoire. México: Greka Editions.
Сафронова А.В., Михайлова Р.Д. Сучасна фотокнига як об’єкт дизайну: систематизація за способом подання контенту Art and Design. 2020. №2 (10). C. 92-104. DOI: https://doi.org/10.30857/2617-0272.2020.2.8
Safronova A., Safronova O. Features of the author’s Ukrainian photobook as an object of art design. Knowledge, Education, Law, Management. 2020. № 5 (33), vol. 4. P. 64-71. DOI: https://doi.org/10.51647/kelm.2020.5.4.11
Sonntag, S., Markus, H. (2014, September, 9.) Past, Present and Future of the Photo Book https://www.fotomuseum.ch/de
/2014/09/14/the-current-scene-of-photo- book-and-art-book-publishing-as-i-see-it / ])]
Чех Н. Б. «Неоконченная диссертация» Бориса Михайлова: cтруктурно-нарративный анализ фотосерии. Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология», 2019. № 8 (2). С. 241–258. DOI: https://doi.org/10.28995/2686-7249-2019-8-241-258