Society-cultural and architectural creativity of Anatoly Dobrowolsky
DOI:
https://doi.org/10.18372/2415-8151.1.5962Keywords:
Architecture, Anatoly Dobrowolsky, aesthetic activity, artistic activity.Abstract
This article discusses the relationship between socio–historical and artistic design techniques specific Ukrainian architect Anatoly Dobrowolsky (1910–1988). The author concludes that the work of two masters in harmony inherent in the creative approach: a commitment to adherence to national traditions, working on architectural detail (design, aesthetic creation) and unconditional adherence to the principle of perfect architectural forms (artistic creation).References
Arhitektura: Kratkiy slovar-spravochnik / Pod red. A. P. Mardera. - M .: Stroitel, 1995.
Evreinov Yu.N. Obschie voprosyi teorii arhitekturnoy deyatelnosti i ee sotsialnoy effektivnosti / Yu.N. Evreinov // Sotsialnaya effektivnost arhitekturnoy deyatelnosti. - M .: Stroitel, 1991.
Dobrovolskiy A. V. Tvorcheskaya i nauchnaya deyatelnost (Avtorskie materialyi). - M .: ASiA USSR, 1963.
Koveshnikova A. V. Osnovnyie stilisticheskie osnovyi v tvorchestve A. V. Dobrovolskogo / V. Koveshnikova // Vestnik Harkovskoy gosudarstvennoy akademii dizayna i iskusstv. - Harkov, 2008. - # 3. - S. 38-49.
