Theory and practice of design

PRINCIPLES OF METROETHNICITY IN MODERN GRAPHIC DESIGN

2025-11-04T14:58:29+02:00

The publication explores metroethnicity in the field of graphic design. The authors identified five key principles of metroethnicity: symbolic heterogeneity, plastic migration of archetypes, glocalization of stylistics, meta-identity, and ethical representation of the «other». Purpose. The purpose of the article is to theoretically substantiate and identify the principles of metroethnicity, which is achieved through the analysis of the philosophical basis of metroethnicity, the study of visual strategies of modern graphic design, the formulation of conceptual principles of metroethnicity, and the systematization of the results obtained into a holistic analytical framework. Methodology. The research was carried out from the standpoint of an interdisciplinary approach that integrates methods of cultural analysis, visual hermeneutics, and comparative design analysis. Contextual analysis was employed to identify concepts of metroethnicity within the sociocultural and theoretical framework of postglobalism, providing a typology for the isolation and generalization of metroethnicity principles. Results. The essence and content of metroethnicity in graphic design are analyzed. Five principles of metroethnicity are proposed, which form an analytical framework for the analysis of visual communications in the post-global context. It is shown that metroethnicity reflects a change in the paradigms of visual thinking from unification to cultural dialogue. Scientific novelty. The scientific novelty of the article lies in the theoretical substantiation of metroethnicity as a holistic analytical concept for the study of modern graphic design in the conditions of post-globalism. For the first time, the principles of metroethnicity are systematized, allowing the interpretation of graphic design as a tool of cultural dialogue and inclusive visual representation. Practical relevance. The practical novelty of the article lies in the formulation of five principles of metroethnicity, which can be applied as a methodological basis in the process of designing visual communications in a multicultural environment. The proposed conceptual principles of metroethnicity outline the field of activity for graphic designers, which makes it possible to design flexible, adaptive, and at the same time authentic visual systems.

THE IMPACT OF EFFECTIVE LIGHTING ON THE VISUAL PERCEPTION OF SPACE BY DIFFERENT GROUPS OF USERS WITH DISABILITIES

2025-11-04T15:03:58+02:00

The conducted study is devoted to a comprehensive analysis of the impact of effective lighting on the visual perception of space by different groups of users with disabilities. The purpose of the article is to determine the optimal lighting strategies that improve comfort, orientation and safety for such users. Methodology. The use of such analytical methods as systematization, comparison, complex analysis and generalization allowed this study not only to clearly identify the main aspects of the topic, but also to outline how effective lighting affects the visual perception of space by different groups of users with disabilities. Results. The results of the study clearly demonstrated the impact of effective lighting on the visual perception of space among different categories of users with disabilities of different groups. The scientific novelty of this study lies in the comprehensive and multifaceted approach to studying the impact of lighting, which allows filling the existing gaps in understanding the specific needs of different groups of users with disabilities. This study does not simply state the fact of the importance of lighting, but also reveals in detail the mechanisms of its influence and offers specific solutions. The analysis presented how effective lighting significantly improves the visual perception of space by different groups of users with disabilities, contributing to their safety, orientation and overall comfort in everyday life. The study provided a deeper understanding of the specific needs and challenges that different groups of users with disabilities face in terms of visual perception of space, as well as identifying optimal lighting parameters to ensure their safety, comfort and independence. The practical relevance of the study lies in the development of specific recommendations for designers, architects and urban planners that will allow them to create inclusive and safe spaces. This will directly improve the quality of life, orientation and independence of different groups of users with disabilities, contributing to their full integration into society. The analysis demonstrated the critical impact of effective lighting on the visual perception of space by different groups of users with disabilities. It has been proven that an optimally designed lighting environment not only increases safety and comfort, but also significantly improves the orientation and level of independence of people with visual impairments, musculoskeletal disorders and cognitive features. The study allowed for a deeper understanding of the specific needs of each group in terms of intensity, color temperature, uniformity of lighting and elimination of glare. It was found that universal lighting is not always optimal for all groups. A differentiated approach is needed that takes into account the peculiarities of perception and needs of each category of users with disabilities, although in compliance with the general principles of accessibility. It is emphasized that not only high illumination, but also its qualitative characteristics, such as: absence of glare, correct distribution, optimal color temperature, are crucial for comfortable and safe visual perception.

MODERN TRENDS IN JEWELRY DESIGN IN CHINA

2025-11-04T15:08:25+02:00

The Purpose of the article is to examine key trends in contemporary Chinese jewelry design across Mainland China, Hong Kong, and Taiwan. It explores how designers balance tradition and innovation, develop diverse typologies, adopt new materials and technologies, and embed cultural meaning into their works. The goal is to understand how these practices shape a distinctive global identity rooted in Chinese heritage. Methodology. Adopting a qualitative approach, this research combines literature review, visual content analysis, case studies, and regional comparison. It analyzes representative works by Chinese designers, focusing on materials, themes, techniques, and symbolic expression. Results. The findings show that contemporary Chinese jewelry design is characterized by multi-dimensional creativity expressed through narrative-driven themes, hybrid aesthetic languages, and typological expansion. Designers merge classical Chinese symbols, such as dragons, gourds, ruyi locks, and lotus flowers, with contemporary minimalism and global design vocabularies. Technical innovations, including the use of titanium, 3D printing, and new gemstone-setting techniques, have redefined the structural possibilities of jewelry. Symbolism plays a central role in design expression, and many works embed emotional, philosophical, or mythological content rooted in Chinese traditions. Moreover, designers across regions demonstrate strong cross-disciplinary tendencies, often blurring boundaries between jewelry, sculpture, fashion, and body art. While Hong Kong designers emphasize refinement and East- West luxury fusion, and Taiwanese designers show poetic sensitivity and artisanal craft, Mainland Chinese designers lead in experimental expressions and assertive cultural representation. Despite regional distinctions, a converging design ethos has emerged, forming a recognizable Contemporary Chinese Jewelry Design identity. Scientific novelty. This article presents an in-depth, cross-regional synthesis of Chinese jewelry design. It integrates conceptual, material, and aesthetic perspectives into a coherent analytical framework, contributing to global design scholarship. Practical relevance. The findings offer guidance for designers, curators, and educators seeking to engage with Chinese jewelry design. The study emphasizes the role of heritage, sustainability, and cross-media practices in shaping creative outcomes. It identifies actionable trends such as new traditionalism and digital craft as future directions for both design education and industry innovation.

THE DYNAMICS OF BANKNOTE DESIGN IN INDEPENDENT UKRAINE IN THE SOCIOCULTURAL DIMENSION

2025-11-04T15:15:30+02:00

Мета статті полягає у вивченні динаміки розвитку візуальної мови і комунікативних елементів українських паперових грошей на прикладі банкноти номіналом 50 грн, а також з’ясування ставлення фахово орієнтованої на графічний дизайн молоді України до феномену української гривні. Методологія. Дослідження здійснено методом візуального опису банкноти номіналом 50 грн, порівняльного аналізу дизайну різних років її випуску, семантичного аналізу її графічних елементів та соціологічного опитування дизайн-орієнтованої молоді. Емпіричні дані отримано в результаті проведення кількісного опитування вузької вибірки професійно орієнтованої на графічний дизайн української молоді. Результати. У результаті аналізу динаміки дизайну української банкноти номіналом 50 грн, що функціонує у період відновленої незалежності України, виявлено відхід від відкрито етнічних мотивів декору банкнот до складної системи переосмислених у сучасних тенденціях візуальної культури символів української державності УНР і традиційної культури. Визначено, що українська влада як головний замовник дизайну грошових знаків формує довіру громадян до держави створенням і закріпленням стійких асоціацій її з діяльністю видатних діячів та здобутків, яких вони досягли у тій чи іншій галузі. Дизайн грошей впливає не лише на утилітарність та художню цінність цього платіжного засобу, а й презентує цінності та образ країни, з якими уряд держави хоче, щоб її асоціювали на світовій арені. У результаті проведеного серед дизайн-орієнтованої молоді опитування з’ясовано високий ступінь зацікавленості цієї аудиторії естетикою національної валюти та переважним схваленням застосованого семантичного наповнення. Відповіді респондентів підтвердили, що українська гривня сприймається не лише як платіжний засіб, а й як символ національної культури та ідентичності. Наукова новизна полягає у міждисциплінарності вивчення дизайну українських банкнот і проведенні комплексного аналізу як із мистецтвознавчої позиції, так і з соціологічної; виявленні ставлення української молоді до грошових знаків як носія національної ідентичності та каналу візуальної комунікації і впливовості дизайну на характер цього ставлення. Практична значущість полягає у можливості використання отриманих результатів дизайнерами, які займаються формуванням візуальної ідентичності держави, а також державними інституціями, що відповідають за затвердження дизайну грошових знаків, із метою вдосконалення їх візуальної привабливості та символічної виразності під час розроблення нових серій банкнот.

SOME ISSUES OF CLASSIFICATION OF INFOGRAPHIC DIGITAL ENVIRONMENT MODELS

2025-11-04T15:19:51+02:00

The purpose. The aim of the article is to systematize the specific forms of infographic presentation of information, identify appropriate and effective classification approaches, their conceptual coordination and form the foundations of a universal classification within the framework of information design. Methodology. The article uses an analytical method to study the nature of infographics as a means of visual presentation of information and its evolution in the context of modern information society. Comparative analysis is used to compare infographics with related forms of data visualization – such as illustration, graphic journalism, visual notes, etc. Descriptive and classification approaches are also used to generalize the types of infographics and outline their boundaries. Results. To outline the main specific groups of infographic presentation of information and identify relevant and effective classifications of infographics, the works of leading information design specialists were reviewed. The concepts of William Bowman, Edward Tufte and Isabel Meirelles were coordinated among themselves and selected as basic. The basis of the infographic classification of the higher hierarchy is proposed to take the systematization proposed by William Bowman: what: appearance, structure, organization; how: movement, system, process; how much: size, quantity and tendency, division; where: place, location, position. These data can be supplemented with the proposals of Isabel Meirelles: temporal structures, that is, infographics that answer the question when, and «synthetic structures», as such that combine several previous types. Scientific novelty. The article comprehensively reviews the classification groups of information modeling for the first time, and draws parallels between the concepts of different authors. The practical relevance of the study lies in the possibility of applying its results in the development and improvement of educational and professional training programs for specialists in the specialty «IT Design». The study outlines key vectors of digital information transformation, in particular the classification principles of infographic modeling, which can serve as a basis for creating methodological recommendations for organizing and conducting classroom classes in the mentioned specialty.

KINETIC TYPOGRAPHY IN PROFESSIONAL AND USER CONTENT OF DIGITAL MEDIA

2025-11-04T15:24:03+02:00

The purpose of the article is to identify the features of the formation and development of kinetic typography in the context of media evolution, as well as to conceptualize the practice of its use in modern digital media using the example of professional and user content. Methodology. The study uses the method of theoretical analysis; the typological method, thanks to which the main characteristics of kinetic typography were clarified; the historical and cultural method, the application of which is due to the importance of considering the formation of kinetic typography in historical retrospect; comparative analysis method, which contributed to the identification of the features of the use of kinetic typography in various types of visual content of digital media; method of art history and compositional analysis, etc. Results. According to the results of the study, it was found that kinetic typography can be considered as a representation of information using text in motion over a certain period of time, a form capable of conveying emotions through dynamic visualization of the text. Due to its ability, kinetic typography enhances the communicative properties of the text, itself becoming a catalyst for expressive power. Summarizing the theoretical materials presented in the scientific literature and based on the analysis of modern content of digital media, the following typology of kinetic typography can be proposed: by type of content (professional and user); by type of audiovisual forms (kinetic typography for feature films, television series, TV programs, trailers, spoilers, advertising videos, music videos, small screen forms of social media (short videos – Instagram Reels, YouTube Shorts, TikTok Story, etc.); by type of movement («sequential» or «serial presentation» and «dynamic presentation» (divided into global and local). Scientific novelty. For the first time, kinetic typography of professional and user content of digital media is considered from an art historical perspective. The author’s definition of the concept of «kinetic typography» and typology are proposed. Unknown and little-known art historical works of foreign researchers related to the issue of kinetic typography in new media are introduced into scientific circulation. Practical relevance. The results of the study of the process of development of kinetic typography in the context of media evolution and in modern stage, through the prism of the specifics of professional and user content of digital media can become the basis for further art-historical research of the indicated issues. Individual provisions can be used when writing manuals and included in courses of lectures on graphic design.

HOSTAGE OF HER OWN TALENT: THE TRAGIC PATH TO RECOGNITION OF HANNA SOBACHKO

2025-11-04T15:27:50+02:00

The purpose of this investigation is to actualize the creative work of Hanna Sobachko-Shostak in the context of the realities of modern artistic processes, an attempt to rethink the creative heritage of the artist in the context of military events that provoke a change in the prism of consideration. Methodology. To fulfill the tasks set in the article, the tools of complex, chronological, historical, biographical, comparative methods are used, which makes it possible to look broadly at the analyzed phenomenon and analyze it at the junction of different branches of knowledge – aesthetics, cultural studies, art history, since it has a generally significant character and lies at the intersection of several scientific fields. Results. The artist from a small Ukrainian village, even today, sixty years after her death, is an imperfectly illuminated phenomenon of national culture, which requires not only a more detailed study, but also a rethinking, first of all, of the role of her heritage in the context of today’s challenges. The influence of the artist’s creativity on her artistic environment, the potential of her art works for many spheres of artistic life, including modern life, is emphasized. The tragic fate of the artist, who was dependent all her life on a number of factors that did not allow her talent to reveal itself in full force, is emphasized, and in the last years of her life her works were created far beyond the borders of the Motherland, which was the source of inspiration for her image-making. The dissonance between the nature of the purely national content of the artist’s creative manner and the conditions in which she created a significant part of her life, far beyond the borders of Ukraine, is highlighted. The scientific novelty of the stated maxims is seen primarily in a different, relevant in the light of modern realities, point of view, which is proposed for rethinking the role, the significance of the creative legacy of Hanna Sobachko-Shostak for modern Ukrainians. This gives prospects for further scientific research. Tasks for future explorations in this area are outlined. The practical relevance of the research is embodied primarily in the great potential of the material if it is implemented in special courses not only for future art historians, but also as a segment of the education of designers, textile specialists, ceramics, and decorators, as well as a basis for large-scale interdisciplinary exhibition projects.

WEB DESIGN OF THE FUTURE: BALANCING TECHNOLOGY, ETHICS, AND USER EXPERIENCE

2025-11-04T15:31:07+02:00

The article presents a comprehensive analysis of web design as a unique visual language of the digital age. Purpose. To identify key trends and technologies shaping the modern landscape of web design, as well as to outline the main challenges and development prospects. Special attention is given to the impact of emerging digital technologies–artificial intelligence (AI), augmented reality, and spatial interfaces–on the transformation of web design into an interactive, adaptive, and intelligent environment. Methodology. The study analyzes scientific sources, including recent research on innovative technologies and practices. It systematizes approaches in the fields of interactivity, adaptability, personalization, and ethical considerations. Examples of the use of generative design technologies and no-code platforms are examined. Results. It is established that modern web design is a living system that dynamically adapts to the user and context. The integration of AI and spatial technologies changes the nature of interfaces, making them personalized and intuitive. Key challenges are identified: information overload, ethical issues of manipulation, preservation of design uniqueness, and ensuring universal access. Scientific novelty. The understanding of web design is expanded as an integrated discipline combining art, programming, perception psychology, and data analysis. A systematic approach is proposed for evaluating challenges and opportunities, with an emphasis on the role of generative AI and XR. Ethical issues of digital hygiene and biometric-based personalization are considered comprehensively. Practical relevance. The results may be used to shape new standards and approaches that merge technology with user comfort. Recommendations for minimizing cognitive load, implementing ethical practices, and deploying adaptive multimodal interfaces will contribute to improving the quality of digital products and advancing web technologies.

THE ROLE OF VISUAL COMMUNICATIONS IN PUBLIC SPACE DESIGN

2025-11-04T15:36:58+02:00

This study highlights the fundamental role of visual communications in shaping perception and user experience in urban public spaces. Purpose. This research aims to investigate the role of visual communications in shaping effective, accessible, and recognizable public spaces, as well as to develop practical recommendations for their design and implementation. This will help systematize knowledge about the impact of visual elements on user experience, wayfinding, emotional connection, and place identity. Methodology. The research is based on a comprehensive approach combining a scientometric method, theoretical analysis, and the development of practical recommendations. Theoretical studies and recent scientific publications concerning visual communications in urban environments, their impact on perception and user experience, and wayfinding systems were analyzed. Based on the obtained data, practical recommendations were developed for designers, architects, and urban planners, aimed at creating effective, accessible, and aesthetically appealing public spaces. Results. A systematic typology of visual communications has been formed, demonstrating their synergistic interaction in creating a holistic and functional environment. It has been established that effective visual communication reduces cognitive load, improves navigation, and fosters an emotional connection with space. Criteria for inclusivity, sustainability, and cost-effectiveness of materials and technologies have been developed, and key aspects of harmonious interaction between graphic elements and architecture have been identified. Scientific Novelty. The novelty of the research lies in its comprehensive approach, which addresses gaps in existing scientific works, particularly regarding inclusivity (considering neurodiversity), the sustainability of materials and technologies, and the synergy of graphic elements with the architectural environment. The proposed new criteria and evaluation methodologies expand the understanding of the impact of visual communications on user experience. Practical relevance. The practical value of the research lies in providing specific, well-founded recommendations for designers, architects, and urban planners. These recommendations can be integrated into urban design standards, contributing to the creation of more comfortable, accessible, sustainable, and aesthetically appealing public spaces that improve the quality of life for residents.

FORMATION OF THE BRAND’S VISUAL IDENTITY IN WEB AND PRINT ENVIRONMENTS

2025-11-05T08:08:11+02:00

The purpose of the study is to conduct a comprehensive analysis of the process of forming a brand’s visual image, taking into account the specifics of its implementation in both web environments and print media. In the context of multiplatform brand communication, ensuring stylistic consistency of brand identity across digital and print formats becomes especially important. The research methodology is based on an interdisciplinary approach that encompasses elements of visual design, branding theory, semiotics, typography, and technical adaptation of visual tools. The study employed methods such as theoretical analysis, content analysis of both Ukrainian and international brands, and comparative analysis of typography and color rendering features in web and print environments. This made it possible to evaluate the effectiveness of visual adaptation across media. The research findings revealed key issues in maintaining visual integrity of the brand, including technical difficulties in color reproduction, typographic incompatibility of fonts for screen and print, and compositional discrepancies between different formats. The scientific novelty lies in the interdisciplinary analysis of the problem of adapting a brand’s visual image between digital and print media environments. A classification of challenges in cross-media identity is proposed, covering aesthetic, semiotic, and technical aspects. The study substantiates the importance of typography as a core element that preserves brand recognizability and stylistic appearance. The practical relevance of the research lies in its applicability for professionals such as designers, brand managers, marketers, and educators of relevant academic programs. Visual identity should not only be aesthetically appealing, but also technically unified, semiotically coherent, and capable of adapting to the specifics of each medium without losing its core visual characteristics. The findings confirm the need to develop new cross-media design systems that ensure brand consistency in the face of visual competition and rapidly changing formats.

FEATURES OF COLOUR VISUAL IMAGE FORMATION IN THE URBAN SPACE OF SHANDONG PROVINCE WITH CONSIDERATION OF REGIONAL ASPECTS

2025-11-05T08:31:44+02:00

Purpose. The purpose of this study is to examine the role of colour in the visual image design of cities in Shandong Province based on the analysis of regional characteristics. Methodology. The study is based on the analysis of collected representative graphic materials from selected cities in Shandong Province using the visual sampling method, which allowed obtaining real visual information about the city. The manual colour extraction method is used to extract the dominant colour in the selected image material from a colour recognition website, record its HEX CODE and name it. Finally, the ‘The main theme’ colours of 10 cities in Shandong Province were extracted using colour analysis. Based on their art historical analysis, which includes an analysis of colour trends, cultural background, and urban development orientation, their spatial colour characteristics and visual images were highlighted to form a system of colour representation with narrativity and locality. Results. The study of urban colour characteristics based on regional aspects demonstrates the diversity of urban colours in Shandong Province and explains the importance of colour in urban development. The colour types of cities in Shandong Province are classified and four categories of urban colour system are distinguished: Coastal freshness, Ecologically wilderness type, Cultural warmth type and Comprehensive type. Each type also presents colour structure and visual characteristics that are closely related to the natural geography and cultural background of the local urban area. The results of the study indicate that regional environment and urban characteristics are inextricably linked in the urban colour system. Scientific novelty. Based on regional aspects, the study proposes for the first time a method for classifying the visual image of urban colours based on geographical environment, history and humanities, and urban functions. Compared with previous studies focusing on the colour of individual urban regions, considerable attention is paid to the visual correlation between the colour structure and the overall unity of urban space, which highlights the aesthetic value and systematic role of the urban colour system. Practical relevance. The research results provide a clear classification basis and methodological support for the design of urban visual image and related urban colour research. The proposed classification of urban colour systems can provide designers with effective design guidelines for their visual practice in different cities. In addition, the research contributes to the formation of a more holistic visual space of the city, the enhancement of public identity, and the enhancement of regional content communication to create a more accurate and vivid image of the city.

SYMBOLS AS A LIFE-AFFIRMING FOUNDATION FOR VISUALISING UKRAINE’S CULTURAL MONUMENTS

2025-11-05T08:36:34+02:00

The relevance of this research is dictated by the current circumstances of Russian hostile aggression, which deliberately seeks to erase the historical memory and national identity of Ukrainians. Purpose. To characterise the symbol as the basis for visualising two restored architectural monuments of Ukrainian culture – the Zaborovskyi Gate and the surviving monument to Hryhorii Skovoroda on the grounds of the damaged literary-memorial museum in the Kharkiv region (2022). Methodology. The methodology rests on a range of approaches, notably comparative analysis, source criticism and the synthesis of the results obtained. Results. Having overcome an act of destruction, the Hryhorii Skovoroda Literary-Memorial Museum now demonstrates the evolution of its identity in response to this challenge: from a local memorial space it has been transformed into a symbol of global significance – a symbol of the indestructibility of the Ukrainian spirit. Because symbols remain the dominant features of Ukrainian cultural monuments, we draw on the theses of Carl Gustav Jung’s analytical psychology, whose vitality endures. His definition of the symbol provides the foundation for our understanding of the term as a sign endowed with philosophical depth. The symbolism of the philosopher Hryhorii Skovoroda, one of the indispensable artistic hallmarks of the Baroque era, is re-examined. We propose incorporating a video sequence of the Ukrainian Baroque monument – the Zaborovskyi Gate in the enclosure of Saint Sophia Cathedral – into a three-dimensional environment, which will presumably trigger an insight in viewers. It would be advisable to add the caption: “Do you wish to understand Baroque architecture? Study the Zaborovskyi Gate!”, for it illustrates the significance of a longlasting, recognisable identity that becomes synonymous with national culture. Scientific novelty. The article improves the interpretation of the visual identification of cultural monuments of Ukraine as a complex design dimension of their image, which ensures recognition when physical objects are damaged. Practical relevance is to affirm the role of design as a tool for preserving cultural heritage in times of war, when physical objects can be destroyed or mutilated. The proposed approach to the visual identification of architectural monuments – in particular, the Zaborovsky Gate – in three-dimensional space contributes to their recognition, popularization, and rethinking in the context of modern challenges.

VISUAL AND PLASTIC CODE OF UNIVERSITY IDENTITY: ACADEMIC GOWN. A COMPARATIVE ANALYSIS

2025-11-05T08:40:41+02:00

Purpose. The aim of this study is to explore the potential of the Ukrainian academic gown as a component of the visual identity of higher education institutions and to identify ways of reinterpreting and adapting it to contemporary cultural and value paradigms. This is achieved through a comparative analysis of academic dress (gowns) in countries that have experienced the impact of totalitarian and colonial regimes – namely, Ukraine and South Africa. Methodology. The research is based on a comparative analysis of the visual codes embedded in the academic dress of Ukrainian and South African higher education institutions. The study employs methods of visual analysis and color symbolism interpretation, as well as cultural and semiotic approaches to examining academic regalia as an element of institutional identity. Results. The study reveals that academic regalia in South African universities, while rooted in European tradition, have been adapted to local cultural codes. In the South African context, color carries significant semantic weight, closely tied to ethnic, historical, and social identity. Ukrainian universities, on the other hand, continue to adopt and replicate a European visual model of the academic gown that has remained largely unchanged since the totalitarian period. This tradition underscores the need to reconsider the symbolic function of academic dress as a part of the visual identity of higher education institutions. In this context, the incorporation of national symbols, traditional colors, and ornamental motifs becomes especially important in shaping a distinctive visual identity for Ukrainian academia and in emphasizing its cultural uniqueness. Scientific novelty. For the first time in Ukrainian academic discourse, a comparative analysis of academic dress is conducted within the framework of post-totalitarian reinterpretation of the visual culture of higher education. The study introduces the concept of ornamental and coloristic thinking as a tool for visually constructing institutional and national identity within Ukrainian higher education. Practical relevance. The findings can serve as both a theoretical and practical foundation for the design or redesign of academic dress for Ukrainian higher education institutions. This process should incorporate principles of national identity, cultural heritage, academic representation, and brand communication. The integration of ornamental and color codes relevant to Ukrainian visual traditions will enhance the public visibility and symbolic legitimacy of academic institutions at both national and international levels.

THE CONCEPT OF LINE IN SPATIAL ARTS OF MODERNISM AND POST-MODERNISM

2025-11-05T08:50:10+02:00

This article is devoted to the study of the concept of line as a material object of spatiality in modernist and postmodernist art. Purpose. The purpose of the article is to investigate the transformation of the role and methods of using the line as a material element of space in modernist and postmodernist art, to trace its transition from an instrument for outlining form to a dynamic medium that combines object, space and viewer. Methodology. The research is based on the principles of interdisciplinary and comprehensive approaches that combine the analysis of artistic phenomena and contemporary scientific concepts. Historical-chronological, biographical, historical-comparative methods and art analysis were used, as well as the interpretation of artistic practices in the context of theories of space and time. Results. Based on the analysis of works by Julio Gonzalez, Lijia Clark, Dan Flavin, David Smith, Eva Hesse, Gordon Matt Clark, Mona Hatoum, Jesus Rafael Soto, Tamara Kvesitadze and Joma Plensa, the key directions for rethinking the line in art in the mid-20th century and the first quarter of the 21st century are outlined. A comprehensive interpretation of the transformations of the line as a leading means of expression in the visual art of late modernism and postmodernism is proposed. A complex of aspects of the functioning of the material spatial line has been revealed, which, in addition to its visual form, acquires audio-tactile, kinetic prolongation and involvement as means of forming an interactive environment in contemporary artistic practices. Scientific novelty. The features of the artistic rethinking of the line as a spatial element capable of structuring the environment, interacting with the viewer and integrating different types of spatiality – physical, psychological and social – have been revealed. It has been proven that in the art of the second half of the 20th and early 21st centuries, the line has become an instrument for modelling the interaction of object, space and time. It has been established that the line goes beyond the traditional contour of form and becomes an active element that structures space, influences its perception and creates an interactive dialogue with the viewer. Practical relevance. The results of the study will contribute to a deeper understanding of the theoretical and practical aspects of postmodern art and can be used in educational programmes on art theory and history, in art history and interdisciplinary studies, as well as in the creative practice of artists and designers.

COMPARATIVE ANALYSIS OF MILITARY CAMOUFLAGE PATTERNS (UNIFORMS) OF NATO MEMBER STATES

2025-11-05T08:56:06+02:00

This article presents a comparative analysis of military camouflage equipment used by NATO member states in the context of contemporary security challenges and military effectiveness. The research focuses on the key technical characteristics of military camouflage – color adaptation, texture correspondence, and shape compatibility. The paper compares various camouflage patterns used by NATO countries, including MTP, Multicam, Flecktarn, Pantera, CCE, BME, NFP, and others. Their suitability for different operational environments and levels of adaptability are evaluated. The study emphasizes the importance of intergovernmental cooperation in the development of military gear as a critical component of strengthening the Alliance’s collective defense. Purpose. In light of rapid technological advancement, the objective of this article is to explore modern approaches to the development and implementation of military camouflage in NATO countries, analyze the key technical characteristics of camouflage solutions, and assess their effectiveness in diverse geographical and tactical environments. Methodology. Using classification and visual comparison methods, the main camouflage patterns employed by NATO member states were examined. A systemic and structural analysis of academic sources was conducted, alongside a comparative analysis of visual materials – including photographs, diagrams, and uniform samples observed in real-world conditions. Special attention was given to the color palettes and the shape of pattern elements. Results. The study identifies the main criteria for evaluating military camouflage, analyzes the most common patterns used by NATO member states, and reveals a trend toward unification and the adoption of universal multi-terrain solutions. It confirms that the effectiveness of military camouflage is closely tied to its environmental adaptability and alignment with specific combat tasks. Scientific novelty. The scientific novelty lies in a systematic approach to the comparative analysis of military camouflage patterns used by NATO member states, taking into account not only visual appearance but also technical specifications, environmental adaptability, and the strategic context of their application. The study substantiates the use of a three-criteria classification system for assessing camouflage effectiveness. Practical relevance. The findings of this research can be applied to improve the camouflage systems of the Armed Forces of Ukraine and other national security and defense institutions, enhance the operational effectiveness of Ukrainian combat units in various environments, and inform military training and international operations.

MONO COMPOSITION IN THE CONTEXT OF CREATING ART OBJECTS FOR INTERIOR DECORATION

2025-11-05T09:01:27+02:00

Purpose. The purpose of the article is to explore the concept of mono-composition as a means of artistic forming in interior design, to determine its aesthetic and functional capabilities, which can be used by a designer to identify and designate interior decoration. Methodology. The study uses the methods of visual and comparative analysis, iconographic and case study methods to determine the semantic context of art objects. Results. The results of the study show that in interior design, mono-compositional solutions contribute to the harmonisation of space, reduce visual tension, and enhance the emotional effect of the presence of an art object, especially when the latter combines utility, decorativeness, and conceptuality. It has been found that a monochrome mural, ceramic panel, stained-glass window, textile product in a public space can act as an interactive form of communication – visually invisible but conceptually expressive; identify and designate the typological and functional belonging of the space, in particular as an attractive, aesthetically and meaningfully decorative element of the decoration. Scientific novelty. The scientific novelty of the research lies in identifying the specifics of using monocomposition as a means of artistic form creation in interior art design. For the first time, the influence of monochrome solutions on the emotional perception of space in the context of the synthesis of decorative art and contemporary design practices has been analysed. An approach to interpreting monocomposition not only as an aesthetic category but also as a tool for creating expressive and symbolically charged art objects for public interiors is proposed. The patterns of interaction between monocompositional forms and the material and spatial environment are revealed, expanding the understanding of the potential of decorative textiles, murals and installations in interior design. The emphasis is on original designs as a unique opportunity to form a creative, individual design style. Practical relevance. The practical significance of the study lies in the possibility of applying theoretical provisions and conclusions in the activities of interior designers, decorative artists, architects, and art project curators. The proposed analytical approaches to monocomposition as a means of organising the visual environment can be used in the development of art objects for decorating modern public spaces. The results of the study can serve as a methodological basis in the educational process when teaching academic disciplines for the B2 Design speciality.

MODERN DESIGN APPROACHES TO THE INTERIOR DESIGN OF REHABILITATION CENTERS FOR VICTIMS OF MILITARY CONFLICTS: INTERNATIONAL EXPERIENCE AND UKRAINIAN REALITIES

2025-11-05T09:09:45+02:00

Purpose. Purpose of the work is to systematize contemporary design principles for shaping the interiors of rehabilitation centers for victims of military conflicts based on international experience, as well as to identify the possibilities for their adaptation to Ukrainian sociocultural conditions through the analysis of current domestic and international research in this field. The ultimate goal is to strengthen the role of design as a humanitarian tool in the rehabilitation process of war victims and to contribute to the development of a new type of socially significant spaces in Ukraine. Methodology. The research is based on a multidisciplinary approach that combines methods of researching and analyzing contemporary design practices in both domestic and international rehabilitation center projects, design modeling, comparative cultural studies, as well as synthesis and generalization of theoretical developments from regulatory and scientific frameworks in the field of rehabilitation design. Results. The study examines contemporary design approaches to shaping the interiors of rehabilitation centers for victims of military conflicts, taking into account international experience and current challenges within the Ukrainian context. Emphasis is placed on a multidisciplinary strategy for creating therapeutic environments that promote physical, psychological, and social recovery. The study analyzes examples of implemented facilities in countries with established practices in organizing safe, inclusive, and supportive environments for trauma survivors. Based on the findings, recommendations are proposed for integrating these approaches into Ukrainian rehabilitation facility projects, adapted to the sociocultural characteristics and realities of postwar recovery. Scientific novelty. For the first time, this work provides a comprehensive characterization of the interior environment of rehabilitation centers for victims of military conflicts in Ukraine through the lens of integrated multidisciplinary analysis. The author develops an original systematization of humanitarian design principles, viewed as a crucial spatial tool supporting the recovery process. Key design requirements for interiors are outlined, ensuring psychological comfort, supporting social adaptation, and preserving human dignity, thus contributing to a new understanding of the role of design in the post-war reconstruction of society. Practical relevance of the results lies in their applicability to the development and improvement of both standard and custom interior design projects for rehabilitation centers, the creation of national guidelines for the design of healthcare and social spaces for victims of military conflicts, the educational process in interior design programs at higher education institutions, and further scientific research in the field of design.

FEATURES OF THE DESIGN OF THE UKRAINIAN WARTIME PROPAGANDA POSTER: ORIGINS, CURRENT STATE AND DEVELOPMENT PROSPECTS

2025-11-05T09:17:47+02:00

Purpose. The purpose of the research is a comprehensive theoretical study and systematization of the features of the modern Ukrainian wartime propaganda poster, its ideological concepts, graphic embodiment and methods of distribution. Methodology. The research methodology is based on socio-cultural, comparative- historical, historical-theoretical, empirical approaches, and uses methods of art-historical comparative analysis, synthesis, and classification. Results. The origins of the Ukrainian propaganda war poster as a graphic work with its own narratives, figurative and graphic solutions, and technologies of creation and distribution are investigated. It was found that the foundations and ideological approaches of wartime posters were laid during the First World War. The main factors which influenced the development of the modern Ukrainian propaganda poster are highlighted. The necessity of creation of a high-quality brand image of Ukraine as an independent state with a unique identity and design is identified. The modern Ukrainian war poster is considered as a unique national phenomenon, its symbolic component and the dynamics of changing figurative solutions are outlined, and the main strategies and channels of its distribution are also determined. Scientific novelty. The scientific novelty of the study lies in the complex generalized analysis of all forms of modern visuals of wartime propaganda, that forms a holistic picture of the current state of the thematic and graphic embodiment of the Ukrainian propaganda poster using various computer methods and technologies. Practical relevance. The study provides new knowledge to young designers and scientists regarding modern means and strategies of Ukranian propaganda posters that support the national idea, and reveal liberation struggle of the Ukrainian people during the period of military aggression in the modern Ukrainian and world media space, which also contributes to their professional development and national identification.

CURRENT TRENDS IN CREATIVE CLOTHING MODELING IN THE COLLECTIONS OF MODERN DESIGNERS

2025-11-05T09:24:05+02:00

Purpose. The purpose is to study the modeling techniques and tools used by designers of world-famous Fashion houses when designing seasonal clothing collections; to establish how designers combine different modeling techniques when developing new clothing models. Methodology. The article uses a systematic approach and general scientific methods of analysis when working with the objects of study, including: artistic and compositional, visual-analytical methods, interpretation method, methods of selection and analysis, comparative method and systematization of the results. Results. The article analyzes the clothing collections of the spring-summer season 2025, demonstrated by designers of world-famous Fashion houses and brands during Paris Fashion Week. The collections are analyzed, the models in which are designed using the techniques and means of constructive, creative modeling and shaping of clothing. On the basis of a comprehensive analysis of the models of collections, their volumetric and silhouette forms, proportional and compositional solutions and other characteristics, the methods and means of modeling are distinguished, the principles of combining the applied modeling techniques are clarified. In the collections of clothing models, constructive modeling techniques, such as darts manipulating, building reliefs and undercuts, expanding parts of parts, and others are clearly separated, creating separate model features of clothing, in others, they are the basis for the application of techniques and methods of creative modeling or have become an integral part, the initial stage of a certain creative modeling technique. It has been determined that the techniques of constructive and creative modeling are closely interrelated, affect the final result, are combined, forming new forms, designs, etc. Scientific novelty. The scientific novelty lies in the definition of techniques and means of constructive and creative modeling in the models of modern collections, which makes it possible to establish modern trends in modeling and shaping of clothing. Practical relevance. The obtained results of the study can be used for further research of modern methods and techniques of modeling and shaping of clothes; used by fashion designers in the development of new collections of clothes; can be integrated as theoretical and practical material into the curricula of educational institutions for the training of fashion designers.

FEATURES OF THE COMPOSITIONAL STRUCTURE OF A PHOTO PORTRAIT AS A MEANS OF ARTISTIC EXPRESSION IN THE CONTEXT OF HISTORICAL DEVELOPMENT AND THE LATEST TRENDS IN ART PHOTOGRAPHY IN THE EDUCATIONAL PROCESS OF FUTURE DESIGNERS

2025-11-05T09:28:59+02:00

Purpose. To determine the peculiarities of the compositional construction of a photo portrait as a means of artistic expression. Analyzing the formative, light, color and stylistic aspects of portrait creation Methodology. The comparative and systematic analysis of compositional techniques in the construction of expressive means of photographic portraiture in the historical context of past and present masters is applied, and the students’ photographs based on the provided samples are presented. Results. Photographic portraits taken in accordance with the tasks, taking into account compositional solutions, expressiveness, and emotional perception in the context of historical development and contemporary trends, are considered and analysed. The prerequisites for the successful mastery of multimedia design skills were identified, given the existence of a systematic approach from a pedagogical point of view, as well as the creation of conditions for the development of students’ creativity. The need to master communication techniques when working with a model to express the desired emotional state, including the use of moodboards, was pointed out. Examples are given and practical recommendations are provided on the use of Creative modes in DSLR and system cameras, smartphones with the use of colour filters. Scientific novelty. The compositional and stylistic solutions obtained for different types of portraits are based on the historical development and latest trends in this genre. The influence and connection of spatial compositions, lighting schemes, background, colour solutions, and shooting modes on the expressiveness and emotional perception of a photo portrait are highlighted. Practical relevance. Illustrative material of different stylistic directions of portraiture has been studied and presented. The obtained results can be used in the educational process in the training of bachelors and masters of multimedia design.

CREATING VISUAL CONTENT ON SOCIAL MEDIA: AESTHETIC APPROACHES AND DESIGN SOLUTIONS

2025-11-05T09:35:17+02:00

Purpose. The purpose of this article is to analyze the characteristics of visual messages in social media, with particular emphasis on their aesthetic, artistic, cultural, and design-related features, taking into account contemporary communication practices and transformations in the field of digital content. Methodology. The study employs literature analysis, comparative, and typological methods. A review of relevant Ukrainian and international publications was conducted, with a focus on analyzing visual strategies, design techniques, and methods of presenting content on social media, including the use of color and typography. Key trends and factors influencing the creation of effective visual messages were identified. Results. The study found that visual messages on social media have their own typology, as well as structural and stylistic specificity. Changes in feed algorithms, along with the growing importance of emotional appeal and personalization, influence content formation. Symbolic meaning, ease of perception, adaptability, and speed of visual recognition play a crucial role. Effective content is based on a combination of aesthetics, authenticity, and emotional connection with the audience. Scientific novelty. For the first time, the article proposes a systematization of visual messages in social media from the perspective of contemporary design, allowing for a deeper understanding of their functional and stylistic roles in digital communication. Practical relevance. The results can be applied by professionals in graphic design, visual communication, and marketing, as well as in the creation of social media content aimed at building a consistent visual brand image and ensuring effective interaction with the audience.

PECULIARITIES OF PROJECT-GRAPHIC MODELING IN THE COMPOSITION OF MULTIMEDIA OBJECTS

2025-11-05T09:40:04+02:00

Purpose. The purpose of the study is to study the features of design and graphic modeling in the process of composing multimedia objects in order to increase the efficiency and aesthetic appeal of modern digital products. The task of the work is to determine the basic principles and methods of creating multimedia models that ensure ideological integrity and functional efficiency of compositions. Methodology. The methodology is based on a mixed approach that combines theoretical analysis of existing scientific sources, a systematic approach to studying modeling processes, and practical experimental application of modern digital tools and software. Special attention is paid to the analysis of design and graphic methods and approaches used in creating multimedia objects, as well as their integration into compositional solutions. Results. The result of the study was the identification of key features of modern methods of design and graphic modeling, the development of recommendations for their application in the process of creating multimedia compositions, and the proposal of new approaches to optimizing the structural and aesthetic aspects of multimedia objects, which allows to increase their interactivity and functionality. Scientific novelty. The scientific novelty lies in the systematization and improvement of modern methods of design and graphic modeling taking into account new technological capabilities, the determination of their role in the creation of complex multimedia compositions, as well as the development of theoretical approaches to building more effective models in this area. The proposed approaches and models have the potential for widespread application in the practical activities of researchers, designers and developers of multimedia systems. Practical relevance. The practical relevance of the study lies in the creation of recommendations and tools for specialists involved in the design of multimedia objects, as well as in increasing the quality and competitiveness of digital products by improving the processes of their composition and modeling. This will allow for more effective use of modern technologies to create innovative multimedia solutions in various fields of activity.

MEANS OF FORMING AN AESTHETIC IMPRESSION IN CLOTHING COLLECTIONS USING TRADITIONAL CHINESE ELEMENTS

2025-11-05T09:48:08+02:00

The purpose of the article is to investigate the aesthetic expression of contemporary fashion design through the lens of traditional Chinese clothing culture, focusing on how designers apply translation strategies to integrate cultural elements within diverse design practices. Methodology. A dual-theoretical framework was employed, combining Kivy’s theory of emotive aesthetics with Dewey’s theory of aesthetic experience. The research adopted image analysis and case study methods, examining two contrasting collections: NE·TIGER SS 2015, representing traditional ceremonial aesthetics, and Vivienne Tam FW 2024, representing contested aesthetics in a cross-cultural context. Results. The findings reveal that fashion brand NE·TIGER constructs a solemn and coherent aesthetic through structural representation, symmetrical composition, and ritual symbolism, evoking stable and harmonious emotional pathways. In contrast, fashion brand Vivienne Tam employs symbolic collage, cultural dislocation, and visual hybridity to provoke emotional tension, encouraging open-ended interpretation and reflective engagement. Differences were identified in colour strategies, material usage, silhouette construction, and symbolic integration, reflecting divergent aesthetic mechanisms and expressive logics. Scientific novelty. The study develops a dual-dimensional analytical model, the Emotional Aesthetic Pathway and the Aesthetic Experience Pathway, to systematically evaluate how traditional cultural resources are translated into contemporary fashion design. This model offers a theoretical tool for examining the interplay between emotional mechanisms, visual semantics, and cultural narratives in fashion. Practical relevance. The research provides structured guidance for designers seeking to incorporate traditional cultural heritage into modern fashion aesthetics, highlighting strategies for balancing cultural continuity with innovative expression. These insights may inform both design practice and fashion education, fostering deeper emotional resonance and cultural identity in contemporary fashion.

CURRENT DISCOURSE ON ENVIRONMENTALLY-ORIENTED DESIGN AND SUSTAINABLE FASHION

2025-11-05T09:53:03+02:00

The article is devoted to the consideration of various materials on the topic of sustainable fashion development, in particular, such a phenomenon as the “slow fashion movement”, the history of its formation and development, and its connection with the concepts of environmentally-oriented design. Purpose. The purpose of the study is to study and analyze available scientifically based sources that highlight the prerequisites for the emergence, milestones of formation and features of the development of “slow fashion” in the context of sustainability as a concept of human life in modern conditions and as a requirement of the time, which necessitated the need to update the participatory aspect in design practices as an indicator of interaction between representatives of the fashion industry and consumers in the development of sustainable fashion and ecological design. Methodology. A comparative analysis of publications on the topic was applied, as well as synthesis and generalization methods. Thanks to the methods of analyzing sources in the areas of research on sustainable, ethical, slow fashion, the content of these concepts provided in modern scientific works was analyzed. Results. The main directions of considering textile and clothing design in the context of sustainable fashion were highlighted. The existing definitions and translations of sustainable fashion in Ukrainian and foreign scientific discourse were analyzed and systematized. The trends of their use with a certain semantic load were traced. Scientific novelty. The article first characterizes the concept of “slow fashion” and proves its consistency and difference in content from similar concepts, such as “sustainable (resistant) fashion”, “ethical (fair) fashion”, “ecological fashion”. The current concepts that dominate in the conditions of modernity in slow fashion are outlined. It is established that due to this, the participatory aspect of design and artistic creativity has acquired special importance. Practical relevance. The practical relevance of the results of the work lies in the possibility of their use for rethinking a holistic system of ideas about the concept of “slow fashion” as a component of “slow culture” in the context of the general sustainability of fashion, the formation of appropriate participatory strategies for its achievement in design practices of the fashion industry.

INTEGRATION OF GRAPHIC AND MULTIMEDIA DESIGN IN THE DIGITAL AGE: AESTHETIC AND AXIOLOGICAL PRINCIPLES OF DESIGN

2025-11-05T10:09:38+02:00

Purpose. The purpose of this article is to conduct a theoretical analysis of the integration process between graphic and multimedia design in the digital age, with an emphasis on aesthetic and axiological principles of design. Methodology. Research methods include the analysis of scholarly literature to explore contemporary approaches to design, aesthetics, and axiology in the digital context; and the comparative-analytical method to identify similarities and differences in aesthetic and value-based approaches in design. Results. The analysis of current trends reveals that design is no longer one-dimensional. It now incorporates dynamics, narrative structures, interactivity, as well as consideration of sociocultural context, audience behavior patterns, and value orientations. In this regard, UX/UI technologies play a significant role by transforming aesthetic solutions into part of the functional experience, while visual elements serve as carriers of humanistic messages. Principles such as emotional resonance, minimalism, visual coherence, dynamic interaction, and contextuality constitute the foundation of a new holistic design approach. It is established that aesthetic components (color palette, typography, rhythm, animation) in a multimedia environment acquire an additional semantic layer. At the same time, the axiological potential of visual and multimedia design as a means of influencing social reality is revealed. The concept of integrating aesthetic and value-based principles into multimedia design has been formulated, allowing functionality, emotional expressiveness, and semantic richness to be combined within a single design product. As a result, design in the digital era is transforming into a multifaceted tool of social interaction, where aesthetics and axiology emerge not only as complementary but as interdependent elements of contemporary visual communication. Scientific novelty. For the first time, the conceptualization of the integration of graphic and multimedia design through the synthesis of aesthetic and axiological foundations in the context of digital culture has been carried out. The author proposes a new vision of the functional interdependence of aesthetics, emotionality, and semantic load in the creation of an integral multimedia product, positioned as a medium of sociocultural interaction. Practical relevance. The findings of this study can be applied in the professional training of specialists in design, media, visual communications, and digital technologies, as well as in the development of humanistically-oriented digital products.

THE PHENOMENON OF CAMOUFLAGE PATTERN IN THE FASHION INDUSTRY: HISTORY OF CREATION AND VARIABILITY OF DESIGN SOLUTIONS

2025-11-05T10:25:58+02:00

Purpose. The purpose of the article is to identify the features of creating a camouflage pattern and analyze the specifics of its use in clothing design by leading couturiers in a historical retrospective and at the present stage. Methodology. The study used the method of analysis and synthesis, the method of historical and cultural analysis, the method of typological analysis, the methods of art history and stylistic analysis, etc. Results. The results of the study found that the camouflage print was transferred to the civilian sphere soon after its introduction into military clothing during the First World War. This was evidence that the practical nature of the camouflage print does not prevent the use of its aesthetic potential by modern visual culture. A significant contribution to the formation and further development of the camouflage pattern belongs to avant-garde artists. The aesthetic characteristics and numerous symbolic meanings of camouflage allowed it to become a classic characteristic of the military style. During the 20th and first quarter of the 21st centuries. the fields of art, architecture and design continue to import and use the strategies of two main types of military camouflage – Disruptive Pattern Material (complicating object recognition) and Dazzle (deformation of silhouettes). It was found that in accordance with the essence of the phenomenon of camouflage, which consists in the visual perception of ambiguity through the rupture of forms, leading modern couturiers use such techniques as pattern scaling, pointillism of the minimal fragmented unit, blurring, brightness gradation, playing on contrast with a monochromatic background, etc. in order to reveal their own understanding of camouflage in clothing design and the idea of each specific model. Scientific novelty. For the first time in domestic art history, the problematics of the phenomenon of camouflage pattern and the features of its use by leading clothing designers have been investigated. Based on the analysis of two main types of camouflage pattern (Disruptive Pattern Material and Dazzle), variability has been traced and the main techniques of design solutions have been outlined. Practical relevance. The results of the study can become the basis for monographic studies, educational literature, and the development of lecture courses on the history of clothing design.

COMPOSITIONAL FEATURES OF VISUAL ELEMENTS IN THE DESIGN OF MUSEUM APPLICATION INTERFACES IN CHINA

2025-11-05T10:35:33+02:00

Purpose. The aim of the study is to identify the compositional features of the visual organisation of museum application interface elements in China. The identification of their aesthetic characteristics will provide a theoretical basis for future interface optimization. Methodology. This study employs systematic analysis, artistic analysis, and compositional analysis to conduct a multidimensional analysis of interface design. Systematic analysis focuses on the structural and functional relationships between various visual elements; artistic analysis explores the role of images, fonts, and colours in visual expression; and compositional analysis focuses on the impact of layout, visual hierarchy, and dynamic effects on user perception and interface experience. Results. This study systematically analyses the visual elements and compositional characteristics of the interface design of museum applications in China. The study finds that most interface designs integrate aesthetics, functionality, emotionality, and traditional Chinese cultural connotations into a compositional paradigm that conveys cultural arts and national aesthetics to users. This study focuses on four core visual elements: layout (emphasizes clear information hierarchy and spatial order); font design (highlights traditional art and readability); colour coordination (reflects traditional colours and modern vitality; icon design (prioritizes functional orientation and cultural symbol expression). Additionally, the integration of visual elements with animation effects enhances the interface’s interactivity and engagement, creating a dynamic visual experience that combines visual appeal with cultural immersion. The overall design embodies modularity, adaptability, and immersion, establishing a path for the deep integration of traditional cultural aesthetics with contemporary design expression. Scientific novelty. This study is the first to adopt a compositional analysis perspective, systematically integrating visual elements and aesthetic characteristics in interface design to explore their role in enhancing visual communication and cultural expression. Practice has proven that visual elements not only convey national culture and regional characteristics but also serve as important vehicles for cultural narrative and emotional resonance. Creating interface designs that combine cultural significance, aesthetic appeal, and interactivity can optimize user experience, enhance the overall brand image of museums, strengthen users’ cultural identity and national pride, and drive the future development of museum interface designs. Practical relevance. This study provides innovative ideas for optimizing the visual aesthetics of interface design. Designers and scholars can utilize the results of this research to develop more reasonable design strategies to adapt to changing user needs and technological developments, and to enhance the user experience and cultural communication effects of museum applications.

SUSTAINABLE RESTORATION OF AVIATION TRANSPORT INFRASTRUCTURE: POST-WAR PROSPECTS

2025-11-04T11:11:42+02:00

The post-war restoration of Ukraine's aviation transport infrastructure should be grounded in the implementation of prioritized strategies, whose effectiveness largely depends on the outcomes of retrospective analysis and the systematization of positive international experience, with careful adaptation to national specifics. Key components of restoring and implementing this experience in Ukraine include international assistance: attracting foreign investment in various formats, providing informational support, and fostering cooperation in science, technology, industry, and other areas. These considerations are also relevant to the restoration of air traffic service (ATS) facilities, particularly aerodrome control towers (hereinafter – ACTs). Purpose – to trace modern trends in the design and construction of ACT buildings in order to identify potential directions for the sustainable restoration of the air traffic service system. Methodology. The research is based on the following sources: − legislative and regulatory acts in the fields of aviation transport, construction, environmental protection, etc.; − design solutions and preliminary proposals for the construction of ATS facilities; − materials from international and regional competitions for designing such facilities; − existing analytical, graphical, and photographic materials; − academic literature. The following methods were used: source analysis; comparative and critical analysis; a systematic approach to studying the object as part of air traffic service facility complexes, spatial organization of airports, and surrounding influence zones. Results. A generalized review of decades of experience in designing and constructing control tower buildings (hereinafter – CTs) and ACTs throughout the second half of the 20th century is presented. The study highlights features of various stages in the 100-year history of CT building operation, as well as the evolution and development of their typology. The influence of airport development and surrounding zones on the emergence of a new type of ATS facility – the ACT – is outlined. Current trends in ACT construction are analyzed, particularly their role as vertical landmarks in the spatial structure of airports and nearby territories. Special attention is given to three ACT buildings that were either constructed or planned for construction by the Ukrainian State Enterprise “UkSATSE” (Ukrainian State Air Traffic Services Enterprise) at Ukrainian airports in the first quarter of the 21st century. The paper presents materials related to enhancing and updating relevant components of educational and professional programs for training specialists in the construction and operation of aviation infrastructure facilities. Scientific novelty. The study analyzes the reasons behind the unification of spatial-planning, structural, and engineering components in design solutions. It traces changes in the typology of ATS facilities and the growing urbanistic and architectural importance of such buildings in the context of airport development. To identify potential directions for the sustainable restoration of the national air traffic service system: − the domestic experience of constructing ACTs as part of building and facility complexes is examined, focusing on the specifics of their spatial compositions; − a retrospective analysis of global experience in involving leading infrastructure consulting firms, architectural bureaus, and construction corporations in the creation of ACTs is conducted – including both custom-designed (3) and standardized (1) projects. Practical relevance. The findings: − consolidate theoretical and practical experience in addressing the historical context of aviation infrastructure development, particularly during the post-war reconstruction of various countries; − are integrated into the educational process for training specialists in the fields of G17 «Architecture and Urban Planning», G18 «Geodesy and Land Management», and G19 «Construction and Civil Engineering» (at both the first and second educational qualification levels) at the State University «Kyiv Aviation Institute»; − demonstrate the effectiveness of initial efforts to enrich and update relevant educational and professional programs, taking into account the challenges of wartime and the prospects for post-war recovery.

THE INFLUENCE OF ARCHITECTURAL FORM ON THE SOCIAL BEHAVIOR OF USERS

2025-11-04T11:19:34+02:00

Purpose. The purpose of the article is to theoretically substantiate the relationship between architectural form and users’ social behavior, with an emphasis on identifying the mechanisms through which spatial and formal characteristics of the built environment influence social interaction, behavioral patterns, levels of social activity, feelings of safety, and collective identity in urbanized space. Methodology. The research methodology is based on an interdisciplinary approach that combines theoretical-architectural analysis with methods of spatial sociology, neuroarchitecture, and urban studies. The study applies the principles of structural-functional analysis, spatial syntax, and comparative analysis of implemented projects to identify the correlation between architectural form and users’ social behavior. Results. The article demonstrates that architectural form is an active factor of social influence, capable of shaping user behavior, structuring communication, and affecting collective identity. Four key criteria of architectural impact are identified: spatial-behavioral, aesthetic-perceptual, socio-cultural, and functional-communicative, each determining specific modes of human-environment interaction. The study analyzes the role of circulation logic, zoning, aesthetic properties, and symbolic meaning in the formation of social practices. It also provides examples of architectural solutions that enhance social interaction, inclusion, and community cohesion. Scientific novelty. For the first time, a systematic typology of the effects of architectural form on users’ social behavior has been proposed within an interdisciplinary framework combining architectural theory with spatial sociology and neuroarchitecture. Practical relevance. The findings can be applied in the architectural design of public spaces to create socially responsive and inclusive environments.

TRADITIONAL SOURCES OF UKRAINIAN IDENTITY IN THE ARCHITECTURAL WORKS OF VIKTOR K. TROTSENKO IN THE 1920S

2025-11-04T11:23:32+02:00

The purpose of this article is to define the conditions that shaped Viktor Trotsenko’s views on Ukrainian traditional culture as a source for his architectural creativity in the 1920s, marked by a clear Ukrainian identity. Methodology. The research employs methods of source analysis and systematization, the study of archival and bibliographic materials, comparative analysis of creative ideologies, as well as historical and historical-comparative analysis. Results. An analysis of scholarly articles containing new studies related to the subject of research was conducted. Based on the obtained findings, Viktor Trotsenko is regarded as a proponent of incorporating elements of Ukrainian identity in the architecture of the 1920s, a student of the Kharkiv School of Architecture during its formative period, and an active figure during its flourishing stage. The development of Trotsenko’s personal principles of architectural creativity is defined as the transmission of professional mastery within the «master’s school» model, incorporating the concept of reflecting Ukrainian identity in architecture, which found its implementation in the work of small cultural groups in Kharkiv. Through the study of folk art, Viktor Trotsenko laid the foundations of his own synthetic creative thinking and developed his personal method of architectural formation of new designs based on folk prototypes. Scientific novelty. The research reveals the influence of the transmission of the idea of authentic Ukrainian architecture within the environment of ethnographers, artists, heritage specialists, and architects of the Kharkiv School of Architecture on the creative work of Viktor Trotsenko, a prominent representative of this direction in the 1920s. Practical relevance. The results can be applied in the educational process by incorporating them into lecture courses on the history of Ukrainian architecture, in theoretical research on the history of Ukrainian architecture in the first third of the 20th century, and in scientific and design work, including the documentation of historical and architectural monuments designed by Viktor Trotsenko.

BIOMORPHIC AND PARAMETRIC ARCHITECTURE OF SHADE STRUCTURES

2025-11-04T11:34:15+02:00

The article explores the combination of biomorphic and parametric architecture through the example of shade structures in public spaces. It analyzes the roles of natural forms and algorithmic methods in creating adaptive, environmentally efficient small architectural structures. Purpose. The aim is to clarify the role of combining natural analogues with algorithmic tools in the creation of adaptive and environmentally efficient small architectural forms. Methodology. The study uses an interdisciplinary approach that combines the analysis of theoretical works on contemporary architectural practice, a review of implemented projects, and a comparative analysis of form-making principles. Particular attention is paid to digital modeling techniques, bioinspired form sources, and adaptive manufacturing technologies. Results. It was established that biomorphic architecture shapes the aesthetic and associative components of shading structures, while parametric modeling ensures their adaptability, optimization, and contextual relevance. The analyzed projects demonstrate the effective integration of these approaches to create complex yet functional structures. A trend toward the synthesis of natural morphology, algorithmic form generation, and digital fabrication in public spaces was identified. Scientific novelty. This study proposes a typology of the interaction between biomorphic and parametric strategies in the design of shade canopies. For the first time, a comparative analysis of built examples representing a new quality of adaptive environments is presented. Practical relevance. The findings can be applied in the design of small-scale architectural forms that respond to climatic conditions and user needs. The study highlights the potential for integrating intelligent materials, automated systems, and environmentally responsive solutions.

THE FORMATION AND ROLE OF SACRED SPACES IN EDUCATIONAL INSTITUTIONS

2025-11-04T11:41:45+02:00

The article aims to analyse contemporary architectural approaches to the organisation of sacred spaces in educational institutions, classify their functions, and identify promising areas for their implementation in infrastructure, taking into account multiculturalism and diversity of worldviews. The purpose of the study is to provide a theoretical and methodological justification for the processes of forming sacred spaces in educational institutions, as well as to reveal their role in ensuring the spiritual and moral development, psychological comfort, and sociocultural integration of participants in the educational process. Research methodology. The study is based on a comprehensive analysis of sacred complexes integrated into the educational space, using a comparative study of architectural solutions. The work uses an interdisciplinary approach that includes sociocultural, psychological, and functional-architectural criteria for assessing the effectiveness of sacred spaces in higher education institutions. Research results. It has been established that sacred spaces in educational institutions not only provide religious functions but also significantly influence the psychological climate, ethical education, and identity formation of the university community. The role of such spaces in creating open, interfaith, and flexible environments that support the personal development and spiritual self-expression of students and teachers has been revealed. The scientific novelty of the study lies in the systematization and expansion of theoretical approaches to the integration of sacred elements into the global educational space, as well as in the proposed methodology for harmonizing religious and spiritual functions with the academic needs of modern university campuses. Gaps in the regulatory and methodological support for the design of sacred spaces in Ukraine have been identified, and ways to overcome them have been proposed. Practical relevance. The results of the study are important for architects, educational institution planners, and educational institution managers who contribute to the improvement of the design and functioning of sacred spaces that ensure cultural inclusion, psychological support, and improvement of the quality of the educational environment. The proposed recommendations can be used to develop regulatory documents for the design of sacred complexes in educational institutions around the world.

ANALYSIS OF BREEAM, LEED, WELL, DGNB GREEN BUILDING RATING SYSTEMS IN THE CONTEXT OF VISUAL QUALITY CONSIDERATION

2025-11-04T11:47:03+02:00

Purpose. Over the past five years, the architectural community has witnessed annual changes in leading green standards aimed at incorporating credits for the visual qualities of the built environment. The primary goal of green certification systems is to encourage the design and construction of buildings that minimize environmental impact while creating a healthy human environment. Accordingly, accounting for the negative effects of architectural aesthetics on human perception is a logical and consistent step. Within the framework of the scientific topic «Environmental Certification Systems in Architecture» (State Registration No. 0123U101316), researchers at the O.M. Beketov National University of Urban Economy in Kharkiv have been developing a model for a national green building standard. At the same time, the university’s architectural school maintains a strong research focus on «Visual Ecology in Architecture». The synergy of these research directions enabled the authors to study how aesthetic attributes of architecture may be integrated into the national green standard. Methodology. This study applies content analysis to the documentation of international architectural environmental certification standards (BREEAM, LEED, WELL, DGNB) in order to identify criteria that directly or indirectly address aesthetic and visual aspects of the built environment. To deepen the results, elements of comparative analysis were also applied, allowing for a systematic comparison of the approaches used by various standards to incorporate visual parameters. The analysis covers all structural components of the certification systems (credits, criteria, etc.) that consider architectural visual qualities on different levels. Results. The study examines how aesthetic aspects are integrated into the crediting systems of four major international green building standards: BREEAM, LEED, WELL, and DGNB. Given the scope of the research, further analysis of other standards not included in this publication is planned in future works. Through indepth content analysis of the textual materials, the authors identified and critically examined the principles by which aesthetic values are incorporated into environmental rating systems. Scientific novelty. For the first time, a comprehensive study of leading international environmental certification systems is conducted with a focus on the visual aspects of architectural design. In contrast to previous studies that concentrate primarily on technical or energy-related metrics, this research uncovers hidden mechanisms for integrating aesthetic criteria into the environmental assessment process. Practical relevance. The outcomes of this study will serve as a foundation for the development of a Ukrainian national green certification standard that includes effective tools for managing both environmental and aesthetic performance of contemporary architecture.

NOMADIC ARCHITECTURE AS A MODEL OF MOBILE SPACE IN THE CONTEXT OF POST-INDUSTRIAL SOCIETY

2025-11-04T11:52:30+02:00

The purpose of the article is to consider the phenomenon of nomadic lifestyle and its impact on the architectural environment in recent decades in the context of post-industrial society. To make a forecast of the development options for this phenomenon and possible methods of solution. Methods. To collect material, the author used a quantitative method to study statistical data. The qualitative method was used to observe changes in the environment and in the consciousness of the nomad. The comparative method was used to compare scientific material. Results. We have an old architectural structure designed for the society of the 20th century, where migrations have just begun to gain momentum and this structure is no longer suitable for the modern mobile lifestyle, it needs changes. Large cities have long been experiencing a crisis of internal and external migrations, starting with tourist and ending with labor. The structure of modern cities must respond more quickly to fleeting requests. The urban planning community must develop new mechanisms to meet the needs of millions of migrants. This migration phenomenon is caused not only by economic factors, but also by the fact that humanity has changed its perception of the world and attitude towards social ties. The scientific novelty of this article lies in the fact that it is written through the prism of the author’s personal experience of migration events and gives a unique perspective on this issue. This is also a rapidly changing phenomenon, new factors appear every month and the view on the problem that existed a year ago has already changed. The practical significance of this study is now precisely at the right time due to problems with migrants, structural changes in lifestyle due to the pandemic, climate change, war, etc. These issues should be addressed in an applied way. In conclusion, we have a forecast of further growth in migration and emerging issues for correct reflection on this trend.

ARCHITECTURAL AND URBAN PLANNING ASPECTS OF THE «SMART CITY» CONCEPT IN MODERN MINDS

2025-11-04T12:02:22+02:00

The study focuses on identifying the architectural and urban planning aspects of the «smart city» concept in the context of current conditions. The purpose of the article is to define the architectural and urban planning aspects of the «smart city» concept in order to direct the creative potential of professionals in the field toward achieving smart standards in urban space development. The research objectives include: analyzing scholarly works devoted to defining the term «smart city»; identifying aspects most closely related to shaping the city through architectural and urban planning measures in accordance with the «smart city» model; determining the main architectural and urban planning measures that ensure the effectiveness of the smart city model; and taking into account the real conditions of restoring Ukrainian cities after the full-scale invasion. Research methodology. Theoretical research methods were applied, along with the method of system analysis and generalization of available bibliographic sources from Ukraine and leading countries worldwide, as well as articles in specialized publications. Research results. Scholarly studies on the definition of the «smart city» concept were analyzed. A comprehensive «smart city» model was developed based on the reviewed scientific works. The relationships between the main provisions of the concept and the architectural and urban planning measures ensuring the effectiveness of the smart city model were revealed. Measures within the architectural and urban planning domain that contribute to the effectiveness of the «smart city» model were identified, along with key directions for integrating civil protection measures for the population of Ukraine into the «smart city» framework. Scientific novelty lies in the first proposed comprehensive «smart city» model that takes into account the protection of the civilian population. Practical relevance. The provided recommendations can be applied in Ukraine after the end of the war and during the restoration of the urban environment, both in the reconstruction of existing elements and in the construction of new urban infrastructure.

PROPOSALS FOR AIRPORT RESTORATION

2025-11-04T12:07:33+02:00

The article presents an analysis of the stress–strain state of rigid airfield pavement structures under the load of the heavy aircraft An-225 Mriya. The results of determining the bearing capacity and calculating the stress–strain state of rigid airfield pavements were obtained. Based on the performed calculations, constructive solutions and proposals for the restoration of rigid airfield pavements are provided. Isolines of vertical displacements, bending moments, and shear forces in rigid airfield pavement slabs under the load of the An-225 aircraft were obtained. The values of the classification parameters (PCR) of rigid airfield pavements were determined. A set of numerical experimental studies made it possible to solve the scientific problem of assessing the stress–strain state of rigid airfield pavement structures, taking into account the spatial load of aircraft. The purpose of the study is to determine the bearing capacity and investigate the stress–strain state of rigid airfield pavement structures considering real spatial loads and soil foundation properties, on the basis of which constructive proposals and engineering solutions for airfield pavements are provided. Methodology. The research methods include literature review, the ACR–PCR classification parameter method, and the finite element method. Results. Calculations of rigid airfield pavement structures under the load of the heavy An-225 aircraft were performed. Numerical experiments using the finite element method and the ACR–PCR method made it possible to determine the bearing capacity of the pavement and assess its stress–strain state. The calculations showed that the existing runway structure of Hostomel International Airport does not ensure the operation of the An-225 even with minimal take-off intensity. The need to increase the thickness of the upper layer of cement concrete pavement to 350–391 mm depending on the number of take-offs was established. The proposed constructive solutions are aimed at improving the strength and durability of airfield pavements, taking into account real spatial loads and soil foundation properties. Scientific novelty. The scientific novelty lies in the implementation of a fundamentally new approach to the study of the stress–strain state of rigid airfield pavements based on the finite element method, considering real spatial loads and the influence of soil foundations. Practical relevance. The practical significance of the work lies in the possibility of applying the results of stress–strain calculations of rigid airfield pavement structures under real spatial aircraft loads in the design and construction of airfield elements.

ARCHITECTURAL ENVIRONMENT AS A SOURCE AND A MEANS OF PROTECTION AGAINST SOCIAL FEARS AND ANXIETY

2025-11-04T12:14:42+02:00

The modern urban environment has a significant impact on the psycho-emotional state of a person. Architecture not only performs utilitarian functions, but also forms a sense of security, comfort or, conversely, anxiety and alienation. Visual perception of space can activate social fears – persistent negative emotions associated with the negative impact of the architectural environment on a person. This article examines how elements of the architectural environment can provoke or intensify such fears, as well as possible ways to minimize them. Purpose. Analysis and systematization of visual signs of danger of the architectural environment that provoke social fears. Methodology. One of the most important tools for studying architectural form, the informative qualities of which are revealed only in the process of perception, is experimental psychology. There is a close connection and correlation between it and the architectural composition. The methods used in the study are dedicated to the socalled «operator» level of visual perception, in which elements, semantic and logical units that can have symbolic expression work. Results. Social fears provoked by the architectural environment are a form of anxiety associated with being in public places, interacting with other people or feeling vulnerable in the urban environment. They can manifest themselves in the following forms: fear of crowds (demophobia), fear of open (agoraphobia) or closed (claustrophobia) spaces, anxiety due to the lack of social security (vandalism, signs of criminogenicity), discomfort from potential aggression from the environment. Scientific novelty. It consists in revealing the role of the visual properties of architecture as a provocateur of social fears and anxiety states, as well as potential opportunities for architectural composition as a protector against them. Practical relevance. The architectural environment can both intensify and mitigate social fears. The obtained data expand the understanding of the visual properties of the architectural environment and can be used both in architectural environment design practices and in pedagogy.

CLASSIFICATION AND TYPOLOGY OF PHYSICAL AND SPORTS COMPLEXES: AN ARCHITECTURAL-PLANNING INSTRUMENT

2025-11-04T12:21:22+02:00

The uneven spatial distribution of physical and sports complexes in urban residential districts highlights the need for a systematic approach to their organization. A six-criterion classification of these complexes reveals the mechanisms of synergy among functional, urban-planning, and technological requirements. The resulting typological models serve as an architectural-planning tool for flexible design in residential areas, ensuring spatial cohesion, aesthetic harmony, and social accessibility. Purpose. To investigate and develop an original classification and typological models of physical and sports complexes as an architectural-planning instrument for their systematic integration into urban residential districts, taking into account functional, urban-planning, and technological requirements. Methodology. The study draws on an interdisciplinary combination of quantitative and qualitative methods, including: bibliographic analysis of domestic and international sources on the design and operation of physical and sports complexes; spatial- statistical analysis of PSC distribution in Kyiv using GIS tools and public databases; review of regulatory documents and urban-planning materials (state building codes, master plans, infrastructure development programs); systematic synthesis of empirical observations and case studies of innovative facilities in global and local contexts. Results. The findings demonstrate that the proposed classification matrix provides clear differentiation of physical and sports complexes across six criteria, identifying distinct typological groups; spatial-statistical analysis uncovers an uneven distribution of PSCs in residential districts, with concentration in central quarters and deficits on the periphery; systematic synthesis of case studies highlights successful practices for integrating sports functions into dense residential fabric through adaptive architectural-planning solutions. Scientific novelty. For the first time, a six-criterion classification matrix has been developed for physical and sports complexes in residential districts, enabling systematic spatial-statistical analysis of their urban integration. Practical relevance. The results can inform architects and urban planners in siting physical and sports complexes within residential districts using the proposed classification matrix. Moreover, design institutions and local authorities may apply the classification to create typological models as documentation templates that ensure flexibility and adaptability of architectural-planning solutions.

PROSPECTS FOR USING AI IN ARCHITECTURAL DESIGN FOR THE RESTORATION OF UKRAINE

2025-11-04T12:26:03+02:00

The purpose of the research is to study the existing trends in the use of AI in the design of buildings and the urban environment to determine the prospects for its application in the restoration of Ukrainian architecture. Methodology. The main research method is an analysis of existing neural networks and AI programs used in construction. The comparative analysis method is also used to determine the effectiveness of AI compared to traditional architectural design methods, to identify the advantages and disadvantages of using AI in construction. Results. This article highlights the role and prospects of AI in the modernisation and restoration of Ukrainian architecture. The author reveals the possibilities of AI in urban planning, which can be used by Ukrainian architects to restore Ukrainian cities. The author also identifies the potential of AI to optimise construction waste for environmental and economic purposes, which is very relevant in the current realities of Ukraine. The study highlights the stages of integrating AI into an architectural project, shows the Ukrainian experience of architectural design using parametric algorithms, and reveals the benefits and risks of using AI in the work of Ukrainian architects. The author provides examples of promising AI tools that can be used to restore Ukraine’s architecture. The scientific novelty of this publication is to determine the role and prospects of using AI to restore Ukrainian architecture. The study has confirmed the relevance of AI for the modernisation and reconstruction of cities in Ukraine, significantly accelerating the stages of urban planning, as well as increasing the energy efficiency, environmental friendliness and cost-effectiveness of construction processes. The results of the study showed the benefits and risks of using AI in architectural design, which should be taken into account by Ukrainian architects. The prospects for using AI to design efficient, optimised, and sustainable architecture in Ukraine are revealed. Practical relevance. The results of this study can be used by specialists in the field of architectural design to restore and modernise the architecture of Ukraine.

CREATING RESILIENT COMMUNITIES: INCLUSIVE ENGINEERING FOR POST-WAR RECOVERY IN UKRAINE

2025-11-04T12:36:54+02:00

This article explores a strategy for Ukraine’s post-war recovery through the formation of resilient and inclusive communities, emphasizing the integration of inclusive engineering principles. Particular attention is paid to the incorporation of universal design, energy-efficient engineering solutions, and spatial adaptation to the needs of diverse population groups. The purpose is to develop a scientifically grounded strategy for Ukraine’s post-war recovery based on the creation of resilient communities that rely on inclusive engineering principles, ecological balance, and food security. Methodology. The research is based on an interdisciplinary approach that includes the analysis of contemporary scientific studies and practical case studies, with the adaptation of innovative engineering solutions to the specific needs of Ukraine’s post-war reconstruction and community development. Results. Key planning principles and integrated engineering solutions are identified for building resilient communities that ensure physical, sensory, and social accessibility for all population groups. The study proposes strategies to reduce environmental impact, including land rehabilitation and the implementation of energy- efficient construction technologies. Effective mechanisms are suggested for the social integration of veterans and internally displaced persons through active participation in urban planning processes and local food production. These measures are shown to strengthen community cohesion and contribute to long-term resilience. Scientific novelty. The article presents a comprehensive analysis of inclusive engineering as a fundamental component in the formation of resilient communities in post-war Ukraine, addressing current environmental, social, and technological challenges. A model of integration is proposed to support sustainable development and local food security. Practical relevance. The research results can be applied in national and municipal post-war recovery programs, urban planning, inclusive infrastructure design, and the development of local food production systems. The proposed approaches aim to improve the quality of life in affected regions, promote barrier-free and environmentally sustainable living environments, and enhance economic stability and social cohesion within communities.

ANALYSIS OF THE EFFECTIVENESS OF PARAMETERS FOR MODIFYING CONCRETE WITH CARBON NANOTUBES

2025-11-04T12:45:56+02:00

Purpose. The purpose of this work is a comprehensive analysis and systematization of scientific data on the influence of key parameters of modifying heavyweight structural concrete with carbon nanotubes (CNTs) on its mechanical characteristics. The work aims to summarize previous research on this issue and identify key patterns for the most common type of concrete in construction. Methodology. The research is based on methods of theoretical analysis and generalization of the results of 22 experimental works. The influence of parameters such as the type, form, and geometric dimensions of CNTs, their concentration in the cement matrix, dispersion methods, as well as the effect of the water-cement ratio and chemical additives on the effectiveness of the modification, were analyzed. Results. It has been established that the effectiveness of modification is a multifactorial process. An analysis of the results of testing batches of modified concrete samples for compression and tension was performed. It was determined that the optimal concentration of CNTs, from the point of view of mechanical properties, is in the range of 0.05–0.15% by weight of cement, while exceeding it can lead to nanoparticle agglomeration and a decrease in strength. It is confirmed that the use of ultrasonic treatment in combination with polycarboxylate superplasticizers is one of the most effective methods for achieving uniform distribution of CNTs. It was determined that short (< 10 μm) and long (≥ 10 μm) nanotubes have different effects on strength: long ones can be more effective for compressive strength, while short ones are for tensile strength. Scientific novelty. Unlike existing reviews that analyze the impact of nanotube modification on various types of cementitious composites, the scientific novelty of this work lies in the targeted analysis and systematization of data exclusively for heavyweight structural concrete. This focused approach allowed for the identification of patterns specific to this material, clarification of the optimal concentration ranges for CNTs, and establishment of a hierarchy of influencing key parameters. Practical relevance. The results of the work are useful for research in the field of building materials science. They allow for the optimization of concrete composition to obtain improved characteristics and avoid the use of knowingly ineffective solutions, which contributes to the development of more reliable and durable building materials.

APPLICATION OF ATTENTION RESTORATION THEORY (ART) IN THE PLANNING ORGANIZATION OF UNIVERSITY CAMPUSES

2025-11-04T12:51:27+02:00

The article considers the possibilities of applying the Attention Restoration Theory (ART) in the process of architectural and landscape planning of university campuses. The relevance of the study is due to the need to create an educational space that supports the psycho-emotional health of students, reduces the level of mental fatigue and helps to increase academic motivation. Purpose. The purpose of the study is to develop a structured functional-spatial model of the university environment with the integration of psychological, environmental, architectural and educational components. Methodology. The methodological basis is the analysis of literary sources, the layout of the structural blocks of the paradigm of spatial development of HEIs, as well as a comparative study of examples of architecture of Ukrainian universities. Results. The result is the creation of a model of functional-planning organization of university campuses based on ART, which takes into account four key components: “being apart”, “expansion”, “attractiveness” and “adaptability”. Structural and instrumental solutions for the implementation of ART in the practice of spatial planning of higher education in Ukraine are proposed. The concept of applying Attention Restoration Theory (ART) in the architectural and planning organization of university campuses is based on the idea that university space should not only provide the functional needs of the educational process, but also be an environment of mental restoration, stimulation of natural attention, and reduction of anxiety. The basis of the concept is the integration of the provisions of Attention Restoration Theory (ART) in the architectural and planning organization of university campuses in accordance with the principles of sustainable development, ergonomics, a biophilic approach, and pedagogical efficiency. ART offers the concept of university space not only as infrastructure, but as an environment that supports mental well-being, reduces fatigue, and stimulates learning motivation. The results can be used in the development of architectural concepts for the development of university campuses and strategies for the development of HEIs. Scientific novelty. The influence of Attention Restoration Theory (ART) on the formation of university architecture has been studied. Practical relevance. The results of the study can be used in the diploma design of architectural complexes of universities, in architectural and design activities.

VERNACULAR BUILDING TRADITIONS IN CONTEMPORARY ARCHITECTURE OF CHINA

2025-11-04T12:57:04+02:00

Purpose. The purpose of the article is to identify and analyze the ways of transmitting vernacular architecture in contemporary Chinese architecture. Special attention is paid to the comprehension of traditional heritage through the modern design strategies of leading Chinese architects. Methodology. The study applies a qualitative method of analyzing case studies of completed architectural projects that integrate vernacular principles into contemporary practice. The main analytical tool is the typology of transmission channels of tradition – object-morphological, symbolic-metaphorical, and contextual – which allows for a comprehensive assessment of the interaction between tradition and innovation. The analysis is conducted on the example of implemented projects by Wang Shu, Zhu Pei, and the architectural bureau Oneartharch architect. Results. It was revealed that contemporary Chinese architecture integrates elements of vernacular building not only at a formal level but also through philosophical, ecological, and cultural strategies. Wang Shu’s projects demonstrate object- morphological and contextual transmission channels: the use of recycled traditional materials, local constructions, and adaptation to the climate. Zhu Pei’s works reflect a symbolic-metaphorical approach and the reproduction of cultural memory through form and space. The architects of Oneartharch work primarily within contextual and processual channels: they focus on the experience of presence, local crafts, and community participation in construction. All three approaches form an architecture that combines tradition and innovation. Scientific novelty. For the first time, a comprehensive analysis of the transmission of vernacular tradition in contemporary Chinese architecture is carried out through five analytical channels. The potential of interaction between local heritage and modern design is revealed. Practical relevance. The materials can be used in the educational process and in the design of architecture based on the principles of sustainable development, adaptability, and cultural continuity. The experience of China is valuable for countries that seek to reinterpret their traditional architecture in a contemporary context.

BUILDING TYPOLOGY OF THE BUCHAN DISTRICT: MORPHOLOGICAL, FUNCTIONAL AND TEMPORAL ANALYSIS

2025-11-04T14:07:19+02:00

Purpose. The purpose of the study is to identify the typological structure of development in the Bucha district as a foundation for strategic spatial planning, zoning, post-war recovery, and revitalization. Methodology. The methodology combines morphological, functional, and chronological analysis with comparative typological assessment, spatial-statistical synthesis, cartographic zoning, and pilot elements of built environment passportization. As a result, six dominant morphotypes of development are defined, reflecting the spatial differentiation of the district-from traditional rural to post-war chaotic patterns. A functional typology is proposed (agro-residential, recreational-residential, industrial-urban, transit-service, and suburban), along with a chronological stratification of urban fabric. Scientific novelty of the research: for the first time, an integrated typological model of the built environment in the Bucha district has been proposed, combining morphological, functional, and chronological parameters into a unified analytical system. A typological matrix has been developed, encompassing six morphotypes of development, five functional territorial types, and six temporal layers of transformation, enabling a comprehensive characterization of the district’s architectural and spatial structure. The study substantiates the application of typological analysis as an interdisciplinary tool that combines urban planning, sociocultural, historical-geographical, and security components in the formulation of local sustainable development policies. The theoretical value of the research lies in constructing a typological matrix that enables identification of transformation scenarios and integrates historical- morphological knowledge with the imperatives of safety, sustainability, and regional identity. Practical relevance include the application of this typological approach in developing detailed territorial plans, revitalization strategies, and frameworks for post-war urban policy. The proposed method supports spatial integrity, infrastructural modernization, and the preservation of identity, while ensuring functional adaptability and long-term resilience. It offers a basis for systematic spatial passportization of sustainable community structures at the local level.

PRINCIPLES OF RESTORATION OF SMALL RIVERS IN UKRAINIAN CITIES (ON THE EXAMPLE OF THE LYBID RIVER IN KYIV)

2025-11-04T14:15:05+02:00

Purpose. This article examines the principles of small river restoration in Ukrainian cities using the example of the Lybid River in Kyiv. Methodology. The article uses the following methods: analysis of international experience in restoring small rivers and collection of data that will provide an understanding of current trends in river restoration as part of historical and cultural heritage and ensuring their sustainable development; review of existing research on the organization of embankments and the creation of public spaces along small rivers. The study is based on published information on the practice of restoring and regenerating rivers in cities, their inclusion in the pedestrian network system and their significance for cultural heritage, as well as an analysis of international and domestic documents. These research methods will facilitate the collection, analysis and interpretation of data necessary to achieve the article’s objectives and solve the tasks set. Results. The authors highlight the following basic principles of restoration: creating accessible pedestrian spaces, restoring the integrity of the urban structure, returning the lost historical context, organizing flood prevention methods, restoring ecology, and others. The basic requirements for the restoration of small rivers are defined. The principles of conservation and restoration of small rivers in Ukrainian cities based on sustainable development in the context of post-war reconstruction are proposed. It has been established that transforming the coastal areas of small rivers into public open spaces not only improves the city’s ecology, but also enhances the quality of life for residents and creates conditions for recreation, walking and cycling. A concept has been proposed for the restoration of the Lybid River as an important part of the historical and cultural heritage of the city of Kyiv, which will contribute to the restoration of national identity, improve living conditions, create tourist-attractive spaces in the city center, and also comply with the commitments of Ukraine and Kyiv regarding sustainable urban development by 2030. This direction of development will contribute to improving the comfort of city residents and the cleanliness of the environment. Scientific novelty. It is determined by a combination of the principles of restoring small rivers as part of the natural and cultural heritage, post-war restoration of Ukrainian cities, creation of attractive urban pedestrian spaces, and the principles of sustainable development. Practical relevance. The results of the study will help local authorities and planners make informed decisions on the restoration of small rivers in Ukrainian cities, the creation of a system of public spaces, and the development of urban infrastructure. This may be important for the preservation and restoration of historical and cultural heritage and the creation of a network of pedestrian open public spaces in cities. Understanding the principles of small river regeneration can help attract investment for further urban development.

INTONATION OF PLACE: THE CHURCH OF SAINT BASIL THE GREAT IN KYIV AS AN ARCHITECTURAL EXPRESSION OF GENIUS LOCI

2025-11-04T14:19:49+02:00

Purpose. To identify and analyze the presence of Genius loci in the architectural language of the Church of St. Basil the Great in Kyiv as a form of spatial and artistic expression of the site’s unique intonation. The research aims to reveal how the church not only harmoniously responds to the cultural and historical context of its environment but, through a subtle interplay of architectural techniques and symbols, shapes and conveys the distinctive spirit of the place, embodying its multi-layered essence in a contemporary architectural image. Methodology. The research applies an interdisciplinary approach that includes the analysis of historical sources and archaeological materials from the Kopyriv Kynets area to clarify its cultural and historical context, a review of excavation results on the church site to reconstruct its historical fabric, the study of architectural forms of the Church of St. Basil the Great in the context of the traditions of Kyivan Rus’, the Halych-Volhynian Principality, Carpathian bell towers, and Kyiv watchtowers as components of local architectural identity. A spatial analysis of the building’s interaction with the landscape and terrain is also conducted as a means of architectural interpretation of Genius loci. In addition, an interpretative analysis of architectural elements as symbols and artistic means of expressing the unique intonation and spirit of the place is performed. Results. The architectural concept of the Church of St. Basil the Great in Kyiv is based on a profound comprehension of the historical and archaeological context of the area, which serves as the foundation for the architectural interpretation of Genius loci. The natural terrain and spirit of the place determined the formation of a unique terraced structure that organically integrates into the slopes of the ravine, creating a holistic spatial image. It has been established that the architectural forms of the church synthesize the traditions of Kyivan Rus’ and the Halych-Volhynian Principality, reinterpreted through the lens of contemporary architectural expression, emphasizing the building’s deep connection to Genius loci. Scientific novelty. For the first time, a comprehensive interdisciplinary analysis of the Church of St. Basil the Great in Kyiv has been conducted through the prism of the Genius loci concept as a spatial and symbolic category. A new interpretation is proposed of the interaction between architectural form and the historical-cultural context of Kopyriv Kynets, and mechanisms of conveying the site’s intonation through architectural means of expression have been identified. Practical relevance. The research results can be applied in contemporary sacred architecture design, in teaching architectural composition and architectural history. The material will be useful to architects and researchers striving to preserve local identity in design practice and cultural policy.

ПРОБЛЕМИ ЕСТЕТИКО-ІНФОРМАЦІЙНОГО НАПОВНЕННЯ МІСЬКОГО СЕРЕДОВИЩА ОБ’ЄКТАМИ ІНТЕРАКТИВНОЇ АРХІТЕКТУРИ ТА ДИЗАЙНУ

2025-11-04T14:27:45+02:00

The article explores the problems of aesthetic and informational filling of the urban environment with objects of interactive architecture. Purpose. The goal is a comprehensive analysis of the challenges architects face when shaping interactive architecture and design objects in the urban environment and the development of effective solutions to overcome them. Methodology. To solve the problem, methodological and general theoretical knowledge was used. The study used a systemic approach, which involves studying architectural interactive objects as components of a system in which each element interacts with others and has an impact on the system as a whole. This allows us to determine the patterns of creating interactive objects (features of form formation, proportions, choice of materials, texture, color scheme, use of digital design technologies), to identify their impact on the environment and the population of cities. Results. It has been established that the interactive architecture of buildings forms the information and aesthetic component of the urban environment, which creates its image, ensures improvement and sustainable development in the future. The analyzed interactive architectural objects demonstrate the possibility of an effective combination of modern technologies and methods of forming forms based on the modeling of digital structures. Problems, patterns and prospects for the development of complex three-dimensional interactive objects are identified. Scientific novelty. To solve aesthetic and informational problems, the regularities of creation and organic interaction of modern interactive objects with the architectural and spatial properties of the formed urban environment and its population have been determined. Practical relevance. The results can be used in the formation of interactive objects of architecture and design in the urban environment, considering the influencing factors. The potential for improving the urban environment by enhancing the aesthetic and informational characteristics of buildings and their interaction with the environment has been identified.

THE DEVELOPMENT OF VISUAL-SPATIAL THINKING IN FUTURE ARCHITECTS AND DESIGNERS: THE EDUCATIONAL POTENTIAL OF COMPUTER MODELING USING RHINO 3D

2025-11-04T14:34:29+02:00

Purpose. This study aims to substantiate the educational potential of computer modeling in the Rhinoceros 3D (Rhino 3D) environment as a tool for developing key competencies of future interior designers, particularly their visual-spatial thinking. It analyzes how the integration of various modeling approaches (NURBS, SubD, parametric) facilitates the synthesis of artistic vision and the development of skills necessary for implementing original projects – from concept to technical documentation and production preparation. Methodology. The research is based on a comprehensive approach. Scientific sources addressing the impact of digital tools on design education were analyzed. A comparative analysis of Rhino 3D’s capabilities with other software (SketchUp, Archicad, Blender, 3ds Max) was conducted, highlighting its advantages: accuracy, form-making flexibility, integration of various modeling methods, and robust documentation tools. Results. The study revealed a significant impact of working in Rhino 3D on the development of students’ visual-spatial thinking, logical, algorithmic, and constructive thinking, and the synthesis of knowledge through STEAM principles. Modeling and preparing technical documentation directly from 3D models deepens the understanding of spatial relationships and enhances design efficiency. The use of the program in various academic disciplines and for solving complex tasks demonstrated improved precision in constructing complex forms and a more conscious use of digital tools. Scientific novelty. The novelty lies in the comprehensive justification of Rhino 3D as a pedagogical tool for the targeted development of visual-spatial thinking in future interior designers, with an emphasis on an artistic approach. The study examines how specific tools and the logic of the program’s interface act as catalysts for the development of analytical, spatial, and technical-artistic thinking. A dedicated educational module on Rhino 3D was developed and tested [1]. Practical relevance. The paper proposes a well-reasoned methodology for integrating Rhino 3D into interior design curricula, aimed at fostering critically important visual-spatial skills. A practical textbook was developed to cultivate essential skills in future designers, defining a modern, versatile, and competitive professional: creation of complex and organic forms, preparation of technical documentation, generation of files for digital manufacturing, and effective 3D visualization. The conducted research and the educational methodology [1] contribute to the advancement of Ukrainian-language educational resources in computer modeling for design.

FEATURES OF THE FUNCTIONAL-TYPOLOGICAL EVOLUTION OF RESIDENTIAL BUILDING IN THE CITY OF DNIPRO

2025-11-04T14:38:19+02:00

Purpose. Identification of evolutionary features of functional and typological transformations of residential development in the city of Dnipro during the historical period of the formation of its planning structure. Methodology is based on a comprehensive approach to the problem of studying the stages of housing stock formation in the city of Dnipro. Theoretical methods include a review and analysis of general scientific and applied sources. Through an evolutionary analysis of literary sources (archival materials, modern design and construction documentation, state regulatory and legal support), the main stages of the process of creating residential development in the city were identified. Empirical methods were used to conduct visual and field observations, comparative urban planning analysis. Results. The article examines the practice of creating housing stock in the city of Dnipro in different historical periods. The main stages of the functional and typological evolution of residential development are highlighted. The characteristic features of the periodicity of the housing construction process in the urban planning structure have been identified. The current state of housing construction is analyzed in the context of territorial and urban planning factors. Attention is drawn to the problem of structural, planning and spatial transformations of the historical area of the city of Dnipro as a result of the active construction of new residential multi-storey buildings. Scientific novelty. The work systematizes for the first time the main stages of development of residential architecture in the city of Dnipro. The characteristic features of the formation of the housing stock in different historical periods in the structure of the city’s planning framework have been identified. The practice of modern housing construction is analyzed, in particular, the processes of spatial development of the central historical part of the city of Dnipro and the dynamics of building densification in the context of the problem of preserving historical architectural heritage Practical relevance. The results of the study can be used in the professional activities of architects, as well as in the preparation of a curriculum for the specialty “Architecture and Urban Planning”.

RE-CREATING ARCHITECTURAL HERITAGE: BETWEEN LEGAL NORMS AND SIMULATIVE PRACTICES

2025-11-04T14:47:36+02:00

Purpose. The aim of the study is to critically reconsider the approaches to the reconstruction of architectural heritage in Ukraine – through the analysis of the legal framework, professional debates, contemporary challenges of post-war recovery, and the manipulative use of reconstruction as a tool of simulation in heritage practices. Methodology. The research is based on a comprehensive interdisciplinary approach that includes legal analysis and historical-discursive reconstruction. It applies methods of comparative analysis, content analysis of publications, and case analysis of implemented reconstruction projects. To explore the intangible aspects of heritage, elements of hermeneutic analysis are used, enabling the interpretation of value meanings and sociocultural narratives embedded in reconstruction approaches. Results. The current legal framework is shown to focus primarily on formal procedures, overlooking the humanitarian dimensions of heritage — such as authenticity, symbolic value, and community participation. Terminology remains vague, and the concept of re-creation lacks a clear methodological foundation. In the context of post-war recovery, this leads to deep gaps between law, professional expertise, and public expectations. Additionally, a growing tendency is observed: reconstruction is increasingly used to legitimize simulated solutions that substitute meaningful heritage engagement. Scientific novelty. The scientific contribution of the study lies in the conceptual reframing of architectural heritage re-creation as a complex interdisciplinary process that integrates technical, legal, methodological, and humanitarian dimensions. Practical relevance. Its practical significance is realized through the identification of key contradictions in current legal and design practices, as well as through the development of approaches to fragmented intervention practices, recognition of simulation strategies, and formation of participatory scenarios that may inform post-war recovery policy.

DIGITAL TRANSFORMATION OF ARCHITECTURAL EDUCATION: THEORY, METHODOLOGY, MODELS

2025-11-04T14:52:43+02:00

Purpose. The purpose of this study is to substantiate the theoretical foundations and develop methodological approaches for organizing professional architectural education in the context of digital transformation. The research focuses on integrating blended and distance learning models that combine traditional studio-based practices with innovative digital tools such as Building Information Modeling (BIM), artificial intelligence (AI), and virtual reality (VR), aiming to enhance the development of professional competencies among future architects. Methodology. The study employs an interdisciplinary methodology that integrates pedagogical theory, digital technologies, and architectural design practice. It includes a comprehensive literature review, comparative analysis of contemporary educational models (Rotation Model, Flex Model, SPOL, RSM, PBL), and instructional design based on the course “Reconstruction of the Built Environment”. The models are tested in both blended and fully online formats, incorporating reflective practice, experiential learning, and project-based strategies. Results. The research proposes two instructional models: a blended model (Rotation + Flipped Classroom + PBL) and a fully online model (Flex + SPOL + RSM + PBL). Both models demonstrate the potential to preserve studio-based interaction, foster critical thinking, and integrate digital tools into the learning process. Key implementation criteria – such as flexibility, accessibility, digital competence, and instructional complexity – are identified and evaluated. The models are shown to be adaptable to wartime conditions and global educational disruptions. Scientific novelty. This study introduces a comprehensive pedagogical framework for digital architectural education that synthesizes reflective practice, experiential learning, and advanced digital technologies. It offers a novel integration of educational models tailored to the specific needs of creative disciplines, addressing the challenges of maintaining studio culture and collaborative learning in virtual environments. Practical relevance. The findings provide practical guidance for updating architectural curricula, designing digital courses, and enhancing the digital literacy of educators and students. The proposed models support the continuity and quality of architectural education under crisis conditions and contribute to the modernization of teaching practices in architecture schools worldwide.