Theory and practice of design https://jrnl.nau.edu.ua/index.php/Design The problems of the theory and practice of design are describe in the digest. The issue is directed on distribution and popularisation of scientific workings and achievements of the theory and practice of design and its theoretical part - an industrial art (technical aesthetics), of urban design, history and theory of architecture and research of current problems of art criticism.<br /> National Aviation University en-US Theory and practice of design 2415-8151 FEATURES OF FORMING SPORTS AND LEISURE COMPLEXES IN THE STRUCTURE OF A MODERN CITY https://jrnl.nau.edu.ua/index.php/Design/article/view/18388 <p>This research is aimed at the spatial provision of a healthy lifestyle for citizens, which is one of the important tasks of today according to the concept of sustainable development and relevant government guidelines. As a part of effective architectural and urban planning measures, the work identifies the creation of functional and aesthetic conditions for the implementation of physical activity among the population, specifically sports and leisure. The research has justified the relevance of forming open sports and recreational facilities, sports and leisure complexes (SLC), which create spatial conditions not only for physical activity but also for enhancing social interaction among the population. It is emphasized that significant attention is currently given to the development and design of the environment of these objects in Ukraine, positively impacting the aesthetic qualities of urban districts. The research problem lies in the insufficient study of the characteristics of urban planning organization of these objects within the structure of established urban spaces. The analysis of scientific works on this issue has proved the expediency of deepening the knowledge in the specified aspect. Purpose. This work aimed to determine the features of forming sports and leisure complexes within the structure of residential areas, depending on the nature of residential buildings that have evolved during different historical periods. Methodology. In this study, various methods were employed, including data synthesis from scientific sources and regulatory frameworks; empirical research methods (observation, measurement, comparison) during the on-site examination of urban spaces; iconographic analysis when investigating project-practical experience in forming the SLC; cartographic analysis in studying the planning features of residential development across different historical periods; logical and graphical modeling. The investigation of residential development was conducted in Kharkiv city. Results. Three main types of SLCs have been identified based on their size and equipment characteristics. Using the example of the city of Kharkiv, the possibilities of placing the researched facilities within the structure of residential development are examined across three periods: the 1930’s–1940’s, the 1950’s–1970’s, and the 1980’s–1990’s. These periods differ in morphological characteristics and spatial resources for the formation of various types of modern sports and leisure complexes. Scientific novelty. Conclusions have been drawn regarding the feasibility of the formation of first and second types of SLCs in shared areas within courtyard spaces of mass residential developments, as well as the implementation of second and third types of SLCs within the structure of landscaped open public spaces (mainly parks) or on vacant spaces. Practical relevance. This work will be useful as an effective tool for developing projects aimed at shaping the sports and leisure environments of cities, as well as serving as an informational resource for investors.</p> Diana Baibak Iryna Dreval Copyright (c) 2024 2024-03-13 2024-03-13 31 5 14 10.32782/2415-8151.2024.31.1 TWO SOLUTIONS TO PROBLEMS: CONCRETE PAVEMENT DAMAGE AND REPAIR FROM THE PERSPECTIVE OF DESIGN OPTIMIZATION (BIM MODELING) AND MODIFIED CONCRETE MATERIALS https://jrnl.nau.edu.ua/index.php/Design/article/view/18389 <p>Abstract. With the rapid development of the global economy and the accelerated pace of global integration, the pressure on transportation is increasing in all countries of the world, including, of course, in Ukraine. The existing concrete often fails to meet the expected service life and quality, which means that roads have to be rebuilt as well as a lot of road repair work, which undoubtedly increases the government’s financial expenditures and workload. There are a number of ways of solving these problems, the most frequently used and effective of which is the use of computer software for computational simulation of the road construction environment, monitoring and modification of concrete materials. Purpose. The goal of this paper is to start from the above two directions and propose two solutions to solve the problem of simulation of soil characteristics in road construction and optimization of road materials. Methodology. The research methodology is mainly based on theoretical research method and experimental method. Results. The article draws the following two results through theoretical analysis and experimental methods: a model for measuring soil characteristics using LIRA-SAPR software and the possibility and dosage of basalt fiber modified cement concrete. Scientific novelty. This article proposes for the first time a soil property modeling method based on the Winkler- Fuss and Pasternak soil models using the software LIRA-SAPR. For the first time, the performance of two specific basalt fibers from China and Ukraine were tested and verified the reinforcing effect and dosage of basalt fibers produced in Ukraine for concrete. Experiments have proven that adding 2% basalt fiber will make cement concrete have better performance. Practical relevance. The proposed modeling methodology helps to optimize the design to ensure structural stability and safety, and the in-depth knowledge of soil conditions helps to plan the construction phases more accurately, which helps to control costs and reduce delays. The response results of concrete modified with basalt fibers can be used in practical projects to enhance pavement strength.</p> Maria Serhiivna Barabash Shao Meiyu Copyright (c) 2024 2024-03-13 2024-03-13 31 15 24 10.32782/2415-8151.2024.31.2 REPRESENTATION OF THE CONCEPT OF BEAUTY IN THE FORMATION OF SACRED SPACE OF THE 20TH CENTURY https://jrnl.nau.edu.ua/index.php/Design/article/view/18390 <p>The development of the concept of beauty from the times of pagan Ancient Rome and Greece to Christian Rome and Athens and to the present is analyzed. From elevation to functionality. The opinions of leading theorists of culture are presented. Features characteristic of the culture of the 20th century are represented. The architecture of sacred buildings built according to the principle of traditional forms, as well as the symbolic meaning of the work of art, are considered. It was determined that the objects created at that time, despite their modern appearance, their interpretation as an area of rational satisfaction of purely material and technical needs, solving utilitarian tasks, bear the semantic features of traditional temples. It was found that the defense of the position of beauty and art at that time focused on arguments that were easy to refute. Cooperation with artists became a sign of rejection of the modernist thesis that architectural activity is constructive or research- scientific rather than artistic. A tendency towards historical and traditional reminiscences has been revealed. Goal. To reveal the peculiarities of the representation of the concept of beauty in the formation of the sacred space of the 20th century. Methodology. Theoretical research methods, analysis of foreign experience in building temples were used. The grapho-analytical method is applied. The results. Identification of the features of the representation of the concept of beauty in the formation of the sacred space of the 20th century. Scientific novelty. The view that beauty and adornment in certain theories of that time did not have transcendental causes is presented. Although individual elements of decoration were intended to tame sensuality. Practical significance. The forms of individual sacred buildings and methods of organizing their interiors in modern forms, which can be used in the further development of temple architecture, are analyzed. The use of the metaphorical language of architecture based on the world of visual human products and their iconographic distinctive features is considered. The need to take into account the relationship between certain forms and the messages transmitted through them in shaping the sacred space has been revealed.</p> Liliia Gnatiuk Copyright (c) 2024 2024-03-13 2024-03-13 31 25 34 10.32782/2415-8151.2024.31.3 VOLUMELY PLANNABLE SOLUTIONS AND DESIGN OF PREMISES OF EQUESTRIAN SPORTS COMPLEX IN MODERN CONDITIONS https://jrnl.nau.edu.ua/index.php/Design/article/view/18391 <p>The problem of creating a comfortable and safe environment for keeping horses in equestrian sports complexes, at stud farms in the conditions of modern war is covered in the article. The main requirements of regulatory documentation, the results of research by specialists in the field of animal husbandry, providing daylight in houses with the help of modern technologies, and the peculiarities of the perception of environmental colors by animals have been analyzed. The purpose of this is the development of proposals for the volume-planning solution of the stable building and the design of the premises for a comfortable and safe stay of horses in the equestrian complex in modern conditions. The main tasks of the research: to analyze the current state and volume-planning structure of buildings for keeping horses; to analyze the peculiarities of perception of the external environment by horses; to develop a scheme of the volume-planning structure of the stable, which will ensure the preservation of the life and health of animals. Methodology. Theoretical research methods, analysis of current regulatory documentation, articles in specialized publications, experience of countries around the world and the war in Ukraine were used. The results. Spatial planning solutions and design of stable premises for creating an energy-efficient, comfortable and safe environment for keeping horses in equestrian sports complexes, stud farms, and racetracks are proposed. An evacuation scheme for animals and personnel has been developed. Safe areas in the stable, where animals can stay for a short time during air raids and missile attacks, as well as in winter when the outside temperature drops, are defined. A solution for providing daylight in the stables in accordance with the needs of the horses is proposed. Practical significance. Research results can be used in practice to create a comfortable and safe environment for keeping horses in equestrian sports complexes, stud farms, racetracks, etc.</p> Tetiana Zhydkova Nataliia Matyushchenko Olena Kichnyaeva Copyright (c) 2024 2024-03-13 2024-03-13 31 35 43 10.32782/2415-8151.2024.31.4 ARCHITECTURAL ECOLOGY OF CIVIL BUILDINGS AND STRUCTURES https://jrnl.nau.edu.ua/index.php/Design/article/view/18392 <p>Energy efficiency and environmental friendliness, as important principles of sustainability for multifunctional complexes, are here considered in the context of the international experience, enabling an identification of the main aspects that are applicable when designing such buildings in Ukraine. Purpose: The purpose of this article is to study the principles of improving energy efficiency and environmental friendliness of multifunctional complexes in Ukraine and thereby enrich the national experience in designing sustainable architecture. Results: On the basis of the study, scientific principles and recommendations are developed that contribute to improving the energy efficiency and environmental friendliness of such complexes. Conclusion: It is concluded that the use of alternative energy sources can cover at least 15–20% of the total energy consumption, and by optimizing the plan it is possible to increase the energy efficiency of a building by up to 14%. Goal. In this regard, this research is aimed at the study of world experience in the design of energy-efficient sustainable complexes with mixed functions, the development of project proposals aimed at achieving energy efficiency and environmental friendliness, and the development of scientific principles of energy efficiency in architecture. Methodology. In the course of the research, the field survey method, grapho-analytical method, etc. were widely used. The results. the issue of designing energy-efficient and ecological buildings was investigated; issues of interaction between volumetric and spatial forms and energy- saving technologies; methods of using renewable energy sources; the question of the influence of the shape of the building on energy efficiency, etc. Scientific novelty. Scientific principles of energy efficiency in the architecture of public buildings and structures are proposed. Practical significance. The results of the research can be applied in project practice, scientific work, and teaching activities.</p> Olga Zhovkva Copyright (c) 2024 2024-03-13 2024-03-13 31 44 52 10.32782/2415-8151.2024.31.5 PRINCIPLES OF RESTORATION OF CULTURAL HERITAGE IN THE CONDITIONS OF POST-WAR RECONSTRUCTION OF UKRAINE https://jrnl.nau.edu.ua/index.php/Design/article/view/18393 <p>Goal. This article examines the principles of preserving and restoring the cultural heritage of Ukraine in the conditions of post-war reconstruction. Methodology. The following methods are used in the article: analysis of the international experience of post-war restoration and collection of data that will make it possible to understand modern trends in heritage restoration and ensuring its sustainable preservation; a review of available research on the restoration of destroyed heritage. The research is based on published information on the history of design, restoration and exploitation of restored cultural heritage, analysis of international and domestic documents. These research methods will contribute to the collection, analysis and interpretation of data necessary to achieve the purpose of the article and solve the tasks. The results. The authors distinguish the following main stages: damage assessment (visual inspection, structural analysis, documentation of damage types, mapping, risk assessment); documentation (photo recording, descriptions, architectural drawings, historical research, use of digital technologies); valuation and prioritization; determination of strategies and approaches to preservation and restoration; technical and economic reasons; legal and ethical considerations; the implementation process and its planning (staged approach, allocation of resources, cultural sensitivity and respect, involvement of communities, consideration of the historical and socio-cultural context, inclusiveness, use of traditional techniques and materials, balance of preservation and reconstruction, long-term maintenance and monitoring). Basic requirements for the process of heritage restoration and preservation are defined. Principles of preservation and restoration of the cultural heritage of Ukraine in the conditions of post-war reconstruction are proposed. Scientific novelty. It is defined by a combination of principles of scientific restoration, post-war reconstruction of Ukrainian cities, creation of national identity and principles of sustainable development. Practical relevance. The results of the study will help local authorities and planners to make informed decisions regarding the reconstruction of Ukraine and the development of urban infrastructure. This can be important for the preservation of cultural heritage in cities. Understanding the basics of reconstruction can help attract investments for further development of cities.</p> Olena Oliinyk Oleksandr Chyzhevskyi Copyright (c) 2024 2024-03-13 2024-03-13 31 53 60 10.32782/2415-8151.2024.31.6 STUDY ON THE APPLICATION OF FLY ASH IN ROAD AND AIRPORT CONSTRUCTION https://jrnl.nau.edu.ua/index.php/Design/article/view/18394 <p>Abstract. This thesis investigates the use of fly ash obtained from various thermal power plants in China to produce heavy concrete, especially in road and airfield construction. It includes a comprehensive analysis of fly ash samples’ chemical and physical properties, their radionuclide content, and their interaction with other materials in the concrete mixture. The study examines how fly ash affects concrete properties such as compatibility, density, frost, and water resistance. Various tests and analyses are presented, including micrographs of fly ash samples, their chemical composition, and physical and mechanical properties. The study also investigated the reaction mechanism of fly ash in hardened concrete and its role in improving the strength and durability of concrete. The conclusions emphasize the beneficial role of fly ash in concrete mixtures, especially in enhancing stability and corrosion resistance. Purpose. This study aims to analyze the effect of fly ash on various properties of concrete, such as ease, strength, and durability. It seeks to understand the chemical and physical interactions of fly ash in concrete mixtures, emphasizing improving the overall performance and sustainability of concrete by incorporating fly ash. Methodology. The study utilized modern theoretical, experimental, and physic-chemical research methods (electron microscopy). Experimental studies were conducted under laboratory conditions and on natural objects using modern measuring equipment. Results. The following two results were obtained in this study through theoretical analysis and experimental studies: 1. Incorporation of fly ash into concrete mixtures significantly improves the performance of the concrete, with the main findings including enhanced strength and durability, improved workability, and better resistance to environmental factors such as frost and water; and 2. Fly ash positively affects the physical and mechanical properties of the concrete, making it a functional additive in the production of heavy-duty concrete. Scientific novelty. The scientific novelty of this study can be summarized as follows: 1. It is the first comprehensive study of the use of fly ash from several thermal power plants in China to produce heavy-duty concrete. 2. It further deepens the understanding of the chemical and physical properties of fly ash and its effect on the performance of concrete. 3. This study provides the first detailed description of the reaction mechanism of fly ash in concrete hardening and further deepens the knowledge of utilizing industrial by-products to improve the strength and durability of concrete. Practical relevance. The practicality of this research lies in its potential to enhance the construction industry through the sustainable and efficient utilization of fly ash in concrete production. This research supports environmentally friendly construction practices by demonstrating that fly ash can be efficiently utilized in concrete mixtures. It encourages the recycling of industrial by-products, reducing waste and contributing to more sustainable construction methods.</p> Oleksandr Vasylovych Stepanchuk Yang Shilin Valentyna Valentynivna Hrabovchak Copyright (c) 2024 2024-03-13 2024-03-13 31 61 75 10.32782/2415-8151.2024.31.7 ANALYSIS OF THE THEORY AND PRACTICE OF THE FORMATION OF THE ARCHITECTURAL ENVIRONMENT OF LIBRARIES https://jrnl.nau.edu.ua/index.php/Design/article/view/18395 <p>The study of the article is aimed at the development and theoretical and practical substantiation of the principles of public library organization. Analyzing the source base and scientific works devoted to the design of libraries in Ukraine, a study of the current state of the considered problem was conducted and the need to develop the features of the functional and planning organization of libraries, which is the most urgent problem in modern Ukraine, was determined for the purpose of architectural and planning activities in the urban environment. Within the framework of the study, the features of the architectural and planning organization of libraries were developed and theoretically substantiated, including organizational and methodological aspects (such as stock selection, compliance with user needs, technological support), functional and planning characteristics (functionality of space, universality of space, differentiation of space availability) and capacitive-spatial features (localization, individualization of the image, functional dominant). Purpose. The purpose of the study is to design the space taking into account convenience and functionality. This may include areas for reading, workplaces, creative laboratories, children’s corners and other functional elements. Ensuring easy access to the library and educational space for all residents of the city. This can mean open access, flexible working hours and accessibility for different social groups, including children, young people, the elderly and vulnerable population groups. Methodology. Research methods: analysis of literary sources, materials related to the functional and planning organization of public libraries in Ukraine. Analysis of foreign and domestic experience in designing libraries, observation of object development, systematization and classification of libraries, comparative analysis. Results: familiarization with the current state of the studied problem. Disclosure of the essence and terminological apparatus. A historical analysis of the evolution of public libraries was carried out. Theoretically justified key features of the functional and planning structure of the object. Scientific novelty. The principles of the organization of space and the formation of public libraries are defined and characterized, as well as the prospects for their development in Ukraine are highlighted. Practical significance. This article can be used as a resource in developing library projects and conducting scientific research on this topic.</p> Veronica Chevposa Oleksandr Kryzhanivskyi Liliia Gnatiuk Copyright (c) 2024 2024-03-13 2024-03-13 31 76 81 10.32782/2415-8151.2024.31.8 RECOMMENDATIONS FOR THE DESIGN OF REHABILITATION CENTERS FOR THE ELDERLY, BASED ON THE EXAMPLE OF CHINA https://jrnl.nau.edu.ua/index.php/Design/article/view/18396 <p>Purpose – to develop recommendations for the design of rehabilitation centers for the elderly, using the example of China. Methodology: based on the method of complex functional and structural analysis, statistical; morphological; historical; dialectical; factual; comparative analysis of natural, graphical and statistical data; expert assessments; comprehensive analysis of scientific research; functional-spatial modeling; artistic and compositional; economic analysis according to the criteria of feasibility of choice, system analysis. Results. On the basis of system analysis, a structural model of the formation of the internal space of a rehabilitation center for the elderly has been developed, and the directions of the architectural and planning organization of institutions have been determined. This helps to solve the complex formation, miscalculation of the prospects for development, improvement, comfort, level of medical care, and efficiency of the center. A methodological assessment of the factors influencing the architectural and planning organization of the rehabilitation center is provided. The principles and methods of architectural and planning organization of the rehabilitation center environment are formed. The main aspects of optimizing a balanced, harmoniously holistic, ergonomic, psychologically comfortable, and recreational architectural environment are identified. Urban planning location of rehabilitation center for the elderly: city center, suburbs and recreational areas. The main requirements for spatial and territorial organization are defined: accessibility and barrier-free environment; adaptability of the external space; ensuring sanitary and hygienic requirements; maintaining functional connection between the blocks; distribution of flows of elderly people, technical and medical personnel; introduction of additional rehabilitation spaces; laying the foundation for the prospects of the institution’s development. The spatial-territorial organization of the rehabilitation center sites is proposed. The main functional zones and their content are determined. The main compositional solutions for the spatial-territorial arrangement of the rehabilitation center blocks are identified. Scientific novelty. The article, which is part of the dissertation research, analyzes Chinese and foreign rehabilitation centers for the elderly, reveals current issues, imperfections in the architectural and construction regulatory framework, which does not take into account all the volumes and features of such institutions, their number of storeys, location, arrangement, layout and equipment. The study provides up-to-date methodological recommendations for improving the existing architectural and planning organization of residential centers for the elderly. This work will also help to improve the Ukrainian regulatory framework for this complex issue. Practical relevance. Optimal placement of rehabilitation center. in the structure of cities; placement of rehabilitation center – compliance with the latest but improved standards; urban planning placement of RC in the structure of the city: location and accessibility; proximity to medical facilities, quick assistance in emergency situations; provision of recreation areas and green spaces; ensuring barrier-free access to all premises and areas of the center, including ramps and elevators; placement of rehabilitation center near other medical facilities, sports complexes, cultural institutions to promote integration and cooperation.</p> Zhao Hongjuan Copyright (c) 2024 2024-03-13 2024-03-13 31 82 90 10.32782/2415-8151.2024.31.9 AESTHETICS OF GLAMOR IN THE DESIGN OF MODERN MEN’S SUIT: SEARCH FOR NEW FIGURATIVE AND STYLISTIC SOLUTIONS https://jrnl.nau.edu.ua/index.php/Design/article/view/18397 <p>Design is characterized by the influence of various social and cultural phenomena and their conceptual embodiment, in particular in costume. Glamor is one of the most expressive phenomena of our time, the massive interest in which is primarily due to fashion trends. Articles of clothing as carriers of visual identification of glamor are associated with typical figurative and associative characteristics, means of shaping, principles of decorative solutions, and the structural organization of the costume form in general. A retrospective analysis of the patterns of formation of the glamor style in clothing demonstrates the path of original formal and constructive transformations, is perceived as a metaphor for the artistic representation of human appearance and indicates the increasing role of the stylizing function of the costume. Purpose. The purpose of the study is to identify the stylistic and formative manifestations of glamor in modern men’s costume. Methodology. The study uses a comprehensive and systematic approach. The analysis of the processes of formation and development of glamor as a phenomenon and style of dress was based on an interdisciplinary approach and a comparative analysis of scientific historical, cultural and art historical sources. The general theoretical and systemic-historical approaches made it possible to trace the evolution of the glamor style in men’s costume. The method of figurative and stylistic analysis was applied to the study of the features of glamorous samples. Thanks to this, the objectively existing practice of borrowing and retrospecting images, structures, cutting techniques, principles of shaping in the interpretation of glamor as a leading conceptual direction in the practice of contemporary design was established. Using the method of typologization, the structures and typologies of glamorous men’s costume images are revealed. Results. The conducted research makes it possible to determine the most characteristic structural and figurative-stylistic features of the formation of a glamorous men’s suit to design promising forms of modern clothing in the style of glamor. The scientific novelty of the research results is that for the first time a holistic scientific approach has been proposed that theoretically substantiates the processes of glamorization of men’s fashion and the search for new figurative and stylistic solutions. The practical significance of the work lies in the fact that the content of the analytical part of the study and its main results can be used in the professional training of designers in the higher education system of Ukraine to improve the quality of design and artistic solutions in the process of developing fashion collections that meet the aesthetic needs of contemporaries.&nbsp;</p> Viktoriia Budiak Tetiana Yermakova Maryna Tokar Copyright (c) 2024 2024-03-13 2024-03-13 31 91 98 10.32782/2415-8151.2024.31.10 MEN’S FASHION IN THE CONTEXT OF ECO-SUSTAINABLE DESIGN PRODUCT CONSUMPTION PRACTICES (PROJECT EXPERIENCE) https://jrnl.nau.edu.ua/index.php/Design/article/view/18399 <p>Modern men’s fashion is a unique branch of designer creativity and is no less popular than women’s fashion. But so far it is poorly represented in the scientific literature and needs more detailed research. The article aims to identify modern methods in the field of ecological design, which can be applied in the design of men’s clothing, as well as to explore the interaction between men’s fashion trends and ecological design concepts. Purpose. The article analyzes the scientific literature on ecological design in general and eco-design of clothes in particular. Methodology. The main challenges and methods of ecological clothing design and their relevance in men’s fashion are traced via the classification method. Using the method of visual comparison, fashion trends for men’s clothing for the spring of 2024 were analyzed and those that can be used in eco-oriented design practices were identified. With the help of the experimental method, a project experience of working with students was carried out in the framework of ecological design of men’s clothing, focusing on fashion trends and explained in the article. Results. The article found that the design of men’s eco-friendly clothing appeals to the same methods as women’s clothing: upcycling, recycling, use of natural materials, environmental advocacy, etc. However, ecological approaches are much less common in the design and production of men’s clothing, as well as in fashion shows at fashion weeks, than in women’s clothing. Scientific novelty. The topic of ecological design of men’s clothing is currently less developed than that of women’s clothing. This applies to both design practices and research. The article outlines fashion trends in which the use of ecological design methods would be appropriate. Practical significance. The results of the study and the principles of ecological design can be implemented in students’ project assignments. It is important to educate future fashion designers about environmental awareness.</p> Vladyslava Hurdina Tetiana Yermakova Maryna Tokar Copyright (c) 2024 2024-03-13 2024-03-13 31 99 106 10.32782/2415-8151.2024.31.11 HUMAN CONSCIOUSNESS AS THE BASIS OF FOCUS GROUPS IN DESIGN https://jrnl.nau.edu.ua/index.php/Design/article/view/18400 <p>Purpose. Establish the structure and state of human consciousness as the basis for defining focus groups in design, taking into account the stages of its evolutionary and life cycle. Methodology. The mathematical basis is the axiomatic wave model of S-space. Modeling the evolution of consciousness and the life cycle – the theory of self-organization of open complex systems. Determination of the structure of consciousness and psychotypes – the scenario (1S, 1O) of self-organization. Verification and calibration of models – comparative analysis of works of art of different eras; humanities and natural sciences data. Results. Theoretical – correlations between channels of human interaction with the environment, structure of consciousness, psychotypes, social stratification of society, needs, stylistic and other features of design for different focus groups. Practical – examples of correlations between the needs of focus groups (or individual customers taking into account their psychological portraits) and design concepts of objects and products. Scientific novelty. Methods, models, specifications and correlations between components of the environment-design object-designer-consumer system. Practical relevance. Formalization and optimization of the definition of needs, selection and evaluation, substantiation of the design concept (relation of the design object to the environment, style, functionality, transformability, volume-planning solutions, provision of sensory comfort), optimization of the design sequence.</p> Yury Kovalyov Stanislav Antonyuk Irina Kuderska Olexandr Kulibaba Julia Sorokina Copyright (c) 2024 2024-03-13 2024-03-13 31 107 114 10.32782/2415-8151.2024.31.12 INCLUSIVENESS IN SHAPING THE LANDSCAPE FOR AN EQUAL EDUCATIONAL ENVIRONMENT https://jrnl.nau.edu.ua/index.php/Design/article/view/18402 <p>Purpose. Objective To assess and clarify the crucial role of inclusiveness in the formation of a fair educational environment. It delves into the fundamental notion that education should be a universal right available to all, regardless of their background, ability or personality. Methodology. The article uses general scientific research methods: analysis, synthesis, comparison, generalization. To study the state of inclusiveness in the landscape design of the territories of higher education institutions, the methods of content analysis and expert evaluations were used. A methodology for improving the accessibility and inclusiveness of the campus landscape is outlined. Results of the study reveal the dominant inconvenience of the current state of the territories of educational institutions in Ukraine. The existing structures of the landscape area become a challenge for people with disabilities, despite the mandatory requirement for inclusive planning. The idea of inclusion, which arose as a result of the awareness of the value of human diversity and differences between people, excludes any discrimination and reflects one of the main features of a democratic society: all people are valuable members of society and have equal rights, in particular to receive education, despite the peculiarities of their psychophysical development This discrepancy highlights the urgent need for a comprehensive reform of the design and planning of educational spaces. Scientific novelty of the article consists in the justification and necessity of taking into account inclusive principles in the design of the territories of colleges and institutions of higher education, and consists in the study of specific aspects of landscape design, as well as the use of new technologies and innovative approaches. A significant innovation in the campus landscape regarding inclusiveness in creating an equitable educational environment is the implementation of the principles of universal design for learning, which focuses on designing educational spaces, materials, and practices to meet the needs of a wide range of students, including those with disabilities. Such an article can be useful for the formation of an effective university policy and program on inclusiveness.</p> Tetiana Malik Наnna Pashchenko Lilia Vitt Copyright (c) 2024 2024-03-13 2024-03-13 31 115 123 10.32782/2415-8151.2024.31.13 THE ARTISTIC POTENTIAL OF IMMERSIVE TECHNOLOGIES IN UKRAINIAN DESIGN https://jrnl.nau.edu.ua/index.php/Design/article/view/18404 <p>Purpose. The research purpose is to determine the role of immersive technologies (augmented, virtual, mixed and extended reality technologies) in creating an artistic image of relevant contemporary Ukrainian design projects. Methodology. The study is based on a methodological system that includes generalization, comparison, induction, deduction, analogy, as well as theoretical and analytical methods. Results. The artistic representation of design projects endowed with immersive features is carried out simultaneously at several levels by layering various features of artistic expression. At the same time, the traditional compositional, coloristic, stylistic, textural, and other tools of artistic expression are supplemented by innovative ones, provoked by a complex synthesis of different components within one project: dynamic, interactive, and multimedia. Moreover, semantic features, which come to the fore in that interpretation (e.g., the works of digital fashion model designers), are often involved in the development of the artistic image of an immersive-modified project. Thus, the artistic image acquires, in addition to visual characteristics, sound, semantic and dynamic ones, which no less actively affect the audience’s perception by enhancing or suppressing the visual effect. As a result, the same visual effect, with or without the support of immersive technologies, can convey a completely different project idea. Scientific novelty. The present article demonstrates an innovative approach to assessing rapid innovations in Ukrainian design, which is a response to global technological trends. In particular, the authors put forward a model for constructing the artistic and design image of the relevant works in the context of the active implementation of immersive technologies. It is a multi-layered structure of the internal interaction of specific visual factors and their impact on the viewer. Practical relevance involves the timely analysis of current trends, which can both guide practitioners in the dynamic field of contemporary design activity and specify the vectors of subsequent transformations that have potential to succeed.</p> Viktoriia Mulkokhainen Valeriia Boiko Copyright (c) 2024 2024-03-13 2024-03-13 31 124 132 10.32782/2415-8151.2024.31.14 ETHNIC MOTIFS IN THE AUTHOR’S WORKS OF LYUDMILA SEMIKINA OF THE 1960s-1990s IN THE CONTEXT OF THE SYNTHESIS OF ARTS https://jrnl.nau.edu.ua/index.php/Design/article/view/18405 <p>Purpose. Identify ethnic motifs in L. Semikina’s author’s clothing designs; to carry out a stylistic analysis of figurative and plastic solutions of costumes from the 1960–1990 collections in order to determine their cultural-historical and semantic connections; consider the peculiarities of the creative method of L. Semikina in the context of innovative trends and compositional and color innovations, show the synthesis of archaic artistic and stylistic solutions with modern approaches in clothing design. Methodology. The method of archival and bibliographic research, the historical method, and the method of theoretical generalizations are applied. The method of synthesis is to reveal the relationships between the artist and society. The method of art history and, in particular, figurative and stylistic analysis was applied in the process of identifying ethnic motifs in the works of L. Semikina. Results. The author’s series of costumes by L. Semikina from the collections of 1960–1990 is a vivid and convincing evidence of how a modern artist-designer, turning to the inexhaustible source of ideas, images and forms of the cultural heritage of Ukraine, finds new forms of spiritual and aesthetic continuity. Her original outfits are an innovative form of designer’s approach to the problem of rethinking the ethnic features of the costume, from historical stylizations to mythopoetic reconstructions. In the context of the problem of the analysis of the ethnic morphology of clothing, L. Semikina’s work is an attempt to spiritually reproduce the constructive and sacral function of the costume, with a consistent reflection of the design idea in the material. Scientific novelty. The unknown facts of the creation of L. Semikina’s author’s collections and unpublished ethnic costumes from the artist’s private collection have been introduced into scientific circulation; the artistic analysis of the figurative and plastic solution of costumes from the 1960–1990 collections were carried out; the specificity of the artistic interpretation of historical and national motifs in author’s clothing models was revealed. Practical relevance. The results of the research will be useful to scientists and scientific and pedagogical workers in the process of researching the cultural and artistic movement of nonconformism in Ukraine, studying the ethnostylistics of Ukrainian author’s costumes, and teaching specialized disciplines in fashion design. For designers, the conducted research has a purely practical value in creating modern clothes using ethnic motifs.</p> Olena Papeta Copyright (c) 2024 2024-03-13 2024-03-13 31 133 140 10.32782/2415-8151.2024.31.15 DESIGN SPECIFICS OF CUTOUT ANIMATION IN THE ADOBE ANIMATE PROGRAM https://jrnl.nau.edu.ua/index.php/Design/article/view/18406 <p>Abstract. Cut out animation is a simple and oldest type of animation, which is inextricably linked to the Chinese shadow theater. It’s a type of stop motion animation that uses cutouts or flat pieces for characters, props, and backgrounds. Unlike other types of animation that come from stop motion and have volume like puppets, in the cutout everything is flat and gives the appearance of 2D. As in all stop motion sub-techniques, the character is animated frame by frame. Cutout animation was first used in a short film in 1906. At least that’s the first record we have. The silent film is known as Humorous Phases of Funny Faces and belongs to the British director James Stuart Blackton. With the development of computer technology, this type of animation received a new life. Despite its long history, cut out animation has not lost its relevance and is actively used in animation studios around the world. Doing it in the program is much more convenient, because all elements can be created immediately in the program without wasting extra materials, you can also import any image created in another program, or simply a scanned element created by hand from classic materials such as cardboard and paper. Adobe Animate works with a system of layers and symbols for ease of animation. Symbols can be divided into individual layers, and each symbol can contain several others. Each symbol has its own timeline. This extensive system allows you to work in detail with each individual element and with the complete object. The purpose is to investigate the historical development of cut-out animation; to identify the specific features of cut-out animation in Adobe Animate program. Methodology. The article uses traditional scientific methods of historical analysis, comparative analysis, the method of system-structural analysis. Results. The historical development of cut-out animation was studied, the specifics of modern cut-out animation in the Adobe Animate program were revealed. Scientific novelty. The principle of operation of the Adobe Animate program with cut animation is considered. Practical significance. This material can be used in the cultural and educational process in the training of graphic designers.</p> Khrystyna Andriivna Petrushevska Copyright (c) 2024 2024-03-13 2024-03-13 31 141 146 10.32782/2415-8151.2024.31.16 POSSIBILITIES OF ARTIFICIAL INTELLIGENCE IN COMPUTER-AIDED DESIGN OF STAINED GLASS ART https://jrnl.nau.edu.ua/index.php/Design/article/view/18407 <p>Abstract. The article discusses the possibilities of artificial intelligence (AI) in the computer design of stained glass windows. Stained glass art has a long history, dating back to Ancient Rome. In the Middle Ages, stained glass became an integral part of Gothic architecture, and during the Renaissance it gained wide popularity in secular interiors. Nowadays, stained glass is used in various fields: from architecture to fashion. Modern technologies make it possible to create stained glass using various methods, including classic stained glass, Tiffany, fusing, sandblasting and others. However, the process of creating stained glass remains labor-intensive and requires highly qualified craftsmen. AI can help automate routine tasks and open up new avenues for creative expression. The article identifies tasks that are difficult for humans to perform and that can be successfully assigned to specially trained neural networks. The conditions for creating a professional system for designing stained glass canvases based on artificial intelligence have been clarified. The purpose. The aim of the article is to explore and uncover the possibilities of applying artificial intelligence in stained glass computer design. The article aims to identify the potential advantages of intelligent systems in creating and optimizing stained glass designs, particularly in analyzing and processing large volumes of data, automating the design process, enhancing accuracy and speed of development, as well as improving the functionality and aesthetic appearance of the final product. Additionally, the article seeks to highlight potential challenges and limitations in the application of artificial intelligence in this field and to point out directions for further research and technology development. Methodology. The following methods were used in the study: 1) analytical method by which the literature was analyzed; 2) theoretical and conceptual method, which allowed to determine the conditions necessary for the introduction of IT technology in cultural and artistic practice; The study used methods of computer modeling and analysis, which increased the accuracy of the results. Results. It has been determined that the application of artificial intelligence in stained glass computer design can significantly streamline and enhance the process of developing stained glass panels. The scientificance novelty The analysis of artificial intelligence capabilities in the form of automated algorithms for the development and optimization of stained glass design is a new research direction. Practical significance. With machine learning algorithms, artificial intelligence can generate unique and creative stained glass designs, taking into account contemporary trends and individual preferences of clients.</p> Andrii Petrushevskyi Yevhen Antonovych Copyright (c) 2024 2024-03-13 2024-03-13 31 147 152 10.32782/2415-8151.2024.31.17 ARTISTIC AND COMPOSITIONAL METHODS OF INTRODUCING ART OBJECTS IN INTERIOR DESIGN https://jrnl.nau.edu.ua/index.php/Design/article/view/18408 <p>Purpose. The purpose of the article is to identify the main artistic and compositional methods of introducing art objects in interior design to create a harmonious aesthetic space. The work uses the main principles of a systematic approach to the analysis of literary sources and practical experience, comparison and generalization, systematization, artistic compositional and structural analysis. Results. Considered the role of artistic and compositional methods of introducing art objects into interior design, their influence on the peculiarities of the perception of interior space and the ability to bring individuality and a special character to the space to improve its aesthetics. The main methods of introducing art objects in the artistic and compositional aspect by using various types and genres of fine and applied art, including also objects of modern art to create a certain image of the room from the point of view of its functional purpose, are formulated. As a result of the structural analysis, the main artistic and compositional methods used in the creative and project practice of designers and artists in the process of introducing art objects in the interior were determined: 1) dominance; 2) symbiosis; 3) integration; 4) destruction. The scientific novelty consists in the research, structuring and definition of the main artistic and compositional methods of introducing art objects in interior design to create a harmonious aesthetic space. Practical Practical relevance. The specified methods can be a useful tool in interior design with the introduction of various art objects in an artistic and compositional aspect. The results of the study recommended the use of the main artistic and compositional methods of introducing Art objects in the interior at the stage of its design and in the process of implementation.</p> Oksana Pylypchuk Oleksandr Kashchenko Andrii Polubok Copyright (c) 2024 2024-03-13 2024-03-13 31 153 159 10.32782/2415-8151.2024.31.18 ANALYSIS OF FEATURES OF ELECTRONIC MANNEQUINS AND BODY SCANNERS FOR CLOTHING DESIGN AND VISUALIZATION https://jrnl.nau.edu.ua/index.php/Design/article/view/18409 <p>Purpose. To analyze the peculiarities of the use of electronic mannequins and body scanners in the processes of design and visualization of clothes; provide a description of their functional and technical capabilities on the example of software products of leading global companies; to determine the relationship between electronic mannequins and body scanners in the context of their influence on the quality and efficiency of clothing creation processes. Methodology of research is determined by a comprehensive study of the subject and includes: methods of analysis, synthesis, induction, method of structural and systematic analysis of sources. Results. An analysis of literary sources on the subject of three-dimensional visualization and clothing design was carried out. Features of today’s electronic mannequins and body scanners are provided, and how these technologies interact and complement each other in creating high-quality designs and visualization of clothing. It was determined that 3D scanners allow scanning of the anatomical characteristics of the human body in order to create a virtual electronic mannequin. This process uses relevant rendering software such as Clo3D, Optitex – 3D Runway Design, Assyst – 3D Vidya and BROWZWEAR – VStitcher. These aspects testify to the perspective and importance of the introduction of modern technologies in the field of clothing design and production. Scientific novelty. Based on the analysis, a description of the functional and technical aspects of electronic mannequins and body scanners was formed, which allows us to determine their specifics in the context of clothing production and design. Practical relevance. The results of the research provide practical value, serving as a basis for improving modern technologies in the field of clothing design, as well as determining the prospects for their use in the fashion industry.</p> Bohdan Protsyk Olena Gerasymenko Kalyna Pashkevych Nadiia Liuklian Bohdan Kass Copyright (c) 2024 2024-03-13 2024-03-13 31 160 170 10.32782/2415-8151.2024.31.19 DIGITAL DIMENSIONS OF ECO-FRIENDLY FASHION AND INNOVATION AS DESIGN CONCEPTS OF GLOBAL BRANDS https://jrnl.nau.edu.ua/index.php/Design/article/view/18410 <p>The article examines modern fashion in the context of conscious consumption, with a view to fostering a caring attitude towards the environment, as well as analyzing the use of scientific breakthroughs and their implementation in various technologies of modern manufacturing and training. The role of branding and design elements in the innovative communication of technology and fashion is investigated. The evolution of digital fashion and the methodological concept of the new fashion direction are analyzed. An overview of the employment of modern advanced technologies in the work of creative designers of the new generation is presented. The major tendencies and prospects for development are outlined with an emphasis on the challenges of today. The research has identified and recognized the potential of Ukrainian creators and manufacturers of the fashion industry as undiscovered, therefore, young designers should join forces and set up collaborations for the sustainable development of the domestic fashion segment and focus on building the idea of community to form competitive prices and promote new brands. Purpose. The aim of the article lies in analyzing modern trends to determine the key areas in the development of the fashion as well of unique innovative projects that blend the art of fashion and technological advancements in design workflows. Methodology. The methodological basis of the study is a systematic approach, analysis of scientific, technical and regulatory information, methods of literary and analytical, systemic and structural, comparative analysis, as well as the historical method. Approach involved methods as formal, stylistic, compositional and coloristic analysis; methods of systematization of visual sources. The scientific novelty consists in performing a systematic analysis of the results of the work of leading global brands in the practical implementation of new design trends in the form of: a blend of biotechnologies and avant-garde design to be used in potential end-uses, including smart tissues, devices, biosensors; use of advanced IT technologies through digital materials, 3D prints and 3D animation software, along with animatronic robotic systems. The above is gaining massive popularity in design practice when creating luxury fashion items. The practical relevance consists in bridging the contradictions in the development of the fashion between theoretical messages and practical application, as well in revealing the scope for designing harmonious relationships in a modern environmentally oriented design concept. Analytical studies breakthroughs allow us to develop new trends in eco-concepts in the collaboration of scientists and the work of modern designers, which will contribute to the sustainable development of societal cultural messages, as well as the possibilities of creating trending patterns and designer fabrics in the laboratories of designers and scientists as the the dynamics of new trends.</p> Tetiana Remenieva Olena Kolosnichenko Nataliia Skliarenko Copyright (c) 2024 2024-03-13 2024-03-13 31 171 184 10.32782/2415-8151.2024.31.20 SCENT AS A MEANS OF VISUALIZING AN ARTISTIC CONCEPT IN THE DESIGN OF PRINTED PRODUCTS https://jrnl.nau.edu.ua/index.php/Design/article/view/18411 <p>Purpose. The aim of the study is to define the concept of visualizing an artistic image using scents in design of printed products. Methodology. The methodology of the study is based on the using of system and synergistic approaches, which make it possible to explain the ways of the integration of scents into visual communications, their transdisciplinary interconnections with people and environment. The artistic images of scented printed products visualization were analyzed using compositional, and system and functional design analyses. Results. In the study, the role of scent in visualization of artistic and figurative concept of printed products has been pointed out. It has been proved that scent is the key element of the product and provides effective communication with a consumer, activates memory and forms corresponding emotions. Emotional, narrative, educational and environmental concepts of visualization of scented artistic image were pointed out in design of scented printed products. It has been defined that innovative technology (e.g. interactive scent, encapsulation, infusion, scented ink, diffusion), which activate several sensory systems simultaneously and form the phenomenon of synesthesia, are spreading in printed products design. Scientific novelty. In the work, the role of scent was comprehensively considered in the development of concepts of printed products design from the standpoint of the system approach for the first time. It has been proved that design of olfactory visual communications, for example scented printed products, and is an effective way of person’s behavior programming. Practical relevance. The materials of the study are the base for the creation of versatile concept of artistic image visualization in printed production design. The results of the work can be used by the specialists of various fields to form innovative strategies for integrated visual communications in the conditions of constantly changing information environment.</p> Nataliia Skliarenko Olha Romaniuk Maryna Kolosnichenko Copyright (c) 2024 2024-03-13 2024-03-13 31 185 191 10.32782/2415-8151.2024.31.21